Twenty One Pilots Scaled And Icy (CD)

Small guy. Big trouble • Death threats, highly trained assassins and highly untrained assassins are all in a day's work for Stephanie Plum in Top Secret Twenty-One. Janet Evanovich's hilarious bestselling series is perfect reading for fans of Sue Grafton and JD Robb • Stephanie Plum has just one job lined up - tracking down Jimmy Poletti: car-dealer and all-round scumbag. Problem is he's on the run, and silencing his former colleagues, one bullet at a time. Plum is going to need bait to bring him in. Bait like Poletti's ex-bookkeeper, Randy Briggs: a ninety-two-centimeter-tall magnet for bored housewives and rocket-propelled grenades • To make things worse, there's a one-eyed Russian assassin who's out to get revenge on Ranger, Stephanie's part-time temptation and full-time protector

What if our future lies 40,000 years in our past? Subject Twenty-One is an astonishing debut novel in which a young woman's refusal to accept the status quo opens her eyes to the lies her society is built on • Elise's world is forever changed when she is given the opportunity of a lifetime - to work at the Museum of Evolution and be a Companion to the Neanderthal, Subject Twenty-One • As a Sapien, a member of the lowest order of humans, she and others like her are held responsible for the damages inflicted on the world by previous generations. This job may be Elise's only chance to escape a stagnating life in an ostracised and impoverished community • But it doesn't take long for Elise to realise that, away from the familiarity and safety of her home, her own secrets are much harder to conceal

You Can't Catch Me and You Can't Put Mustard in the Custard were first published twenty-five years ago and were groundbreaking in that they were full-colour illustrated new poems for children. You Can't Catch Me won the Signal Poetry Award in 1982. Both books went on to be bestsellers and both poet and artist are stellar names in the world of children's books. The book includes an introduction by Michael Rosen and an audio CD of the book, with all the poems also read by Michael. Michael's brilliantly conversational poetry is fantastically matched by Quentin Blake's loopy yet perfectly detailed art. It is a partnership that Bloomsbury is proud to be making newly available