Taschen Diego Velazquez Вольф Норберт

A polymath of the German Renaissance, Albrecht Durer (1471-1528) was a prolific artist, theorist, and writer whose works explored everything from religion to art theory to philosophy. His vast body of work includes altarpieces, portraits, self-portraits, watercolors, and books, but is most celebrated for its astonishing collection of woodcut prints, which transformed printmaking from an artisan practice into a whole new art form. Durer's woodcuts astonish in scale as much as detail. Through works such as Apocalypse and the Triumphal Arch for Emperor Maximilian I, he created dense, meticulous compositions that were much larger, much more finely cut, and far more complex than any earlier woodcut efforts. With an ambitious tonal and dynamic range, he introduced a new level of conceptual, emotional, and spiritual intensity

Sharp angles, strange forms, lurid colors, and distorted perspectives are classic hallmarks of Expressionism, the twentieth century movement that prioritized emotion over objective reality. Though particularly present in Germany and Austria, the movement’s approach flourished internationally and is today hailed as one of the most influential shifts in art history. With leading groups Die Brücke (The Bridge) and Der Blaue Reiter (The Blue Rider), and key players such as Wassily Kandinsky, Egon Schiele, and Emil Nolde, the Expressionists disowned Impressionism, which they regarded as “man lowered to the position of a gramophone record of the outer world”, to depict instead a raw and visceral experience of life as it was felt, rather than seen on the surface

The king of the contemplative landscape • The beauty of nature and man’s loneliness are dominant themes in the work of Caspar David Friedrich (1774-1840). The artist often places a small human figure in a broad landscape, as in his famous paintings Monk by the Sea and The Wanderer above the Sea of Fog. For a long time the importance and influence of this great Romantic painter were underestimated. When he died, Friedrich had already been forgotten by his contemporaries and was only rediscovered in the early 20th century. Today he is considered to be the most important German painter of his generation and a precursor of Expressionism • Once Friedrich gave the following advice to an artist-colleague of his who was constricted by academic rules: “Shut your physical eye so that you first see your painting with your spiritual eye

Immerse yourself in the rich shades and textures of Tiziano Vecellio (c. 1488-1576), commonly known as Titian, and the figurehead of 16th-century Venetian painting. With his bold approach to form and startling, opulent colors, Titian worked with a number of prestigious commissions and left behind an astonishing repertoire of portraits, mythological scenes, altarpieces, and landscapes that remains one of the most important legacies of Renaissance art • This dependable artist introduction traces Titian's complete career and its trailblazing influence on successive generations of artists, from Diego Velazquez to van Dyck. From the rippling sensuality of Venus of Urbino (c. 1488-1576) to the airborne dynamism of Bacchus and Ariadne (1520-1523), all the major works are here, charting the artist's stylistic experimentation over time as well as his consistent and unique ability to work across genres and to bring a defining new level of emotional and spiritual aspect to his subjects

Diego Rivera: A Revolutionary Spirit in Modern Art It was as a revolutionary and troublemaker that Picasso, DalI and AndrE Breton described the husband of Frida Kahlo, Diego Rivera, but he was also responsible for creating a public art that was both highly advanced and profoundly accessible. From 1910 Rivera lived in Europe where he absorbed the influence of Cubism. After the Mexican revolution, however, he returned to his homeland and harnessed the lessons of the European avant-garde to the needs of the Mexican people. His own murals, and those of the Mexican Muralists who followed his example, presented a utopian vision of a post-revolutionary Mexico. Rivera's historical paintings expressed his interpretation of the revolution and its ideals, in a style that showed him returning to the pre-Columbian roots of Mexican culture, re-inventing a colourfully realistic visual idiom that could appeal directly to a largely illiterate people

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