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Thames&Hudson Leonardo Pop-Ups

Thames&Hudson Leonardo Pop-Ups

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A beautiful and dynamic new way of looking at the work of Leonardo da Vinci, one of the greatest painters, inventors, and scientists of all time • Experience the most famous Renaissance artist and inventor in a brand-new way. Courtney Watson McCarthy has crafted many brilliant pop-up books, featuring artists like Antoni Gaudi? and Salvador Dali?, and Leonardo Pop-Ups is the most dynamic yet. McCarthy showcases a variety of pop-ups showing off Da Vinci's many talents; beyond his famous Renaissance paintings, Da Vinci has also been called the father of paleontology and architecture, and has been credited with the inventions of such diverse machines as the helicopter, the parachute, and the tank • Featuring many of Da Vinci's most enduring artworks, both as illustrations and pop-ups, including The Vitruvian Man, The Last Supper, and, of course, the Mona Lisa, Leonardo Pop-Ups also includes Da Vinci's self-portrait, an overview of his architectural designs, and inventions such as a flapping ornithopter подробнее
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Neutral hues, an ill-fitting man's suit and wiggling locks of cut hair supplant Frida Kahlo's (1907-54) usual lively color palette, indigenous Mexican dress and long plaits in Self-Portrait with Cropped Hair (1940). Nevertheless, the painting remains unmistakably Kahlo's. In the wake of a divorce from artist Diego Rivera, Kahlo turns to her favorite genre, self-portraiture, to express her deepest emotional and psychological urges. Inscribed with the lyrics of a popular song that translate as "Look, if I loved you it was for your hair. Now that you're without it I no longer love you", the work oscillates between evocations of a popular culture shared by many and unflinching forays into the private sphere. Curator Jodi Roberts essay, too, moves between the public and the private as it situates Kahlo's painting in the context of the Mexican Revolution's legacy, the Surrealist tradition and the artist's own life to explore the ways in which Kahlo constructed and reconstructed her own identity
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In 1907 Edward VII commissioned Peter Carl Faberge - court artist-jeweller to imperial Russia - to produce miniature sculptures of animals on the royal estate at Sandringham. Designed to please Queen Alexandra, the project was suggested by the king's mistress Alice Keppel (the Duchess of Cornwall's great grandmother). The best craftsmen were sent to Norfolk to make wax models which were then taken to Russia to be rendered in hardstones, gemstones, gold, silver and platinum as directed by Faberge himself • Faberge's most ambitious venture in England showed the naturalistic genius of his workshops in St Petersburg and Moscow. It also crowned his career of patronage by the two Danish princesses, Alix and Dagmar, who married British and Russian princes and later became queen-empresses of rival empires
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