Thames&Hudson Frida Kahlo "I Paint My Reality" Burrus Christina

Neutral hues, an ill-fitting man's suit and wiggling locks of cut hair supplant Frida Kahlo's (1907-54) usual lively color palette, indigenous Mexican dress and long plaits in Self-Portrait with Cropped Hair (1940). Nevertheless, the painting remains unmistakably Kahlo's. In the wake of a divorce from artist Diego Rivera, Kahlo turns to her favorite genre, self-portraiture, to express her deepest emotional and psychological urges. Inscribed with the lyrics of a popular song that translate as "Look, if I loved you it was for your hair. Now that you're without it I no longer love you", the work oscillates between evocations of a popular culture shared by many and unflinching forays into the private sphere. Curator Jodi Roberts essay, too, moves between the public and the private as it situates Kahlo's painting in the context of the Mexican Revolution's legacy, the Surrealist tradition and the artist's own life to explore the ways in which Kahlo constructed and reconstructed her own identity

The complete paintings of Frida Kahlo in an XXL edition • Among the few women artists who have transcended art history, none had a meteoric rise quite like Mexican painter Frida Kahlo (1907–1954). Her unmistakable face, depicted in over fifty extraordinary self-portraits, has been admired by generations; along with hundreds of photographs taken by notable artists such as Edward Weston, Manuel and Lola Alvarez Bravo, Nickolas Muray, and Martin Munkacsi, they made Frida Kahlo an iconic image of 20th century art • After an accident in her early youth, Frida became a painter of her own free will. Her marriage to Diego Rivera in 1929 placed her at the forefront of an artistic scene not only in the cultural Renaissance of Mexico, but also in the United States

Recent advances in technologies and home-generated renewable energy have made building away from urban and rural infrastructures more practical and affordable than ever. This survey of the world's most innovative off-grid homes reveals the cuttingedge architecture and technology that is enabling us to escape to some of the most extraordinary natural environments on the planet • All of the houses featured in this book are fully, or almost fully, self-sufficient in terms of energy, water and, in some cases, food. Architecture and interior design expert Dominic Bradbury reveals how each architect has made everyday living in these wild and natural settings a rewarding and tempting reality. From snowbound cabins in the far Northern Hemisphere to coastal retreats that can only be accessed by boat, the diverse projects collected here show the innovative ways in which architects and their clients are tackling extreme climates, remoteness and construction challenges to enable a new way of life that is both liberating and sustainable

Chaumet Tiaras: Divine Jewels — фотособрание тиар Chaumet. Драгоценный головной убор стал визитной карточкой парижского ювелирного дома: более 250 лет его мастера создают поразительные тиары для королевских особ, знаменитостей и женщин, которые хотят прик

Rasem Badran's influence is rapidly spreading throughout the developing world. Covering the full spectrum from urban planning to individual residences, his work is human-scaled, responsive to it's environment and meets the social and cultural requirements of the people who use it. He is often seen as the natural successor to the seminal Egyptian architect Hassan Fathy • This volume provides a thorough overview of Badran's work, bringing together the architect's own dramatic collection of drawings, plans and photographs, many seen here for the first time • A comprehensive chronology of Badran's work completes this fascinating survey of one of the most influential and revolutionary architects of our time

As feminism gained momentum in 1970s America, three photographers Abigail Heyman, Eve Arnold and Susan Meiselas published massively influential photobooks informed by the movement. The first, Heyman's Growing Up Female (1974), is a kind of feminist diary: the photographer casts a lucid eye at her own life and questions the imprisonment of women in stereotype roles. The second, Eve Arnold's "The Unretouched Woman" (1976), shows unknown women and celebrities in spontaneous everyday moments. The photos were deliberately not retouched or staged and offer a nuanced vision of women far from the glamor of glossy magazines. The third, Susan Meiselas Carnival Strippers (also 1976), is the fruit of three years of investigation into fairground striptease sideshows in the Northeastern United States

One Saturday evening, sisters Pip and Maisie are sitting in the warm snug of their grandparent's cottage on the edge of a forest in Scotland. Maisie is restless and longs for adventure, but life at the cottage is always slow. When a bright light suddenly falls from the sky into the forest next door, Maisie can't believe her luck - finally an adventure has come her way! She has boots on and torch in hand before Pip has even put down her hot chocolate • Maisie is desperate to discover the special something as quickly as she can. As the two sisters journey through the dark forest towards the gradually receding light, her imagination runs riot - perhaps it's space treasure, gold dust, or maybe even a creature from outer space! Pip, meanwhile, takes in the dark shapes and strange sounds around her, tentatively adjusting to the forest and its wild inhabitants

Known for his multi-storey murals gracing buildings all over the world, Melbourne-based artist Rone uses his work to explore the friction and connection between beauty and decay, youth and ruin • Rone was a seminal figure in the explosive Melbourne street art scene of the early 2000s. With his beginnings in street art, stencil and screen printing, Rone is now best known for his haunting images of women's faces, rendered in arresting detail on silos and store fronts, museums and apartment blocks. His immersive installations have continued his investigation into divergent themes of beauty and ruin, materiality and loss, through the transformation of condemned, derelict or forgotten spaces - with each artwork painstakingly produced, only to be destroyed

Unperson is one of the first photo books of North Korean Defectors. The 15 intimate portraits and the stories of the brave people who decided to take that chance to flee to South Korea. The road to South Korea is dangerous and can take years with the many different borders of Mongolia, Laos, Thailand, and China. The people fleeing are filled with the fear of being arrested and sent back to labour camps. Once they arrive in South Korea, they often struggle to find a new identity, lost between their North Korean past and South Korean future. Tim Franco travelled to the crossing points, aiming to capture the diversity of landscape that is the background of North Korean defection. He chose to use an 8x10 camera with Polaroid film to capture each defector

The first-ever translation of the ancient Egyptian Book of the Dead of Sobekmose-fully illustrated and explained by a leading Egyptologist, offering fascinating insights into one of the greatest civilizations of the ancient world • The Book of the Dead of Sobekmose, in the collection of the Brooklyn Museum, is one of the most important surviving examples of ancient Egyptian Books of the Dead. Such "books"-actually papyrus scrolls-were composed of traditional funerary texts, including magic spells, which were thought to assist the deceased on their journeys into the afterlife. The ancient Egyptians believed in an underworld fraught with dangers that needed to be carefully navigated, from the familiar, such as snakes and scorpions, to the extraordinary: lakes of fire to cross, animal-headed demons to pass, and the ritual Weighing of the Heart, whose outcome determined whether or not the deceased would be born again into the afterlife for eternity

This sweeping overview of Rembrandt's extraordinary achievement as a draughtsman fills a gap in the otherwise enormous literature on the artist. Beautifully illustrated, mostly in colour, the more than 150 drawings - culled from a corpus of some 800 - are discussed in detail. The drawings span Rembrandt's entire productive life as an artist, from early self-portraits in the 1620s to late drawings from the 1660s of the victim of an execution, a state coach, and historical and mythological images. The scope of the book allows readers to delve into the very broad range of Rembrandt's oeuvre of drawings

Fulfilling a need for an accessible, affordable introduction to a subject of sustained and growing significance in contemporary culture, this volume in the World of Art series redefines contemporary Chinese art in the last forty years since the end of China's Cultural Revolution, placing it in the context of unprecedented cultural, political and urban transformation • This book offers neither an art historian's chronological review of Chinese art in post-Mao China, nor does it join the debate of previous terminologies coined by art critics; instead, it provides the most up to date understanding of contemporary Chinese art through original research and informed curatorial perspectives on the selected representative work, including painting, printmaking, sculpture, photography, installation, video, performance and participatory art