DOM publishers Дом Мельникова. Шедевр авангарда, жилой дом, архитектурный музей Кузнецов Павел

Архитектор Константин Мельников. Павильоны, гаражи, клубы и жилье советской эпохи. Коллекция Музея архитектуры имени А. В. Щусева. Том 4. Издание посвящено 125-летию со дня рождения великого Константина Мельникова, человеку-легенде, который в самое тяжелое для страны время при отсутствии каких бы то ни было средств и возможностей он сумел создать целый ряд архитектурных шедевров - проектов и построек, не имеющих аналогов и не поддающихся тиражированию. Большая часть творческого наследия Мельникова хранится в Государственном музее архитектуры имени А. В. Щусева: это архитектурная графика, фотографии построенных объектов и графических листов, рабочие чертежи, так называемые "синьки", макеты, рукописи. Данное издание представляет "взгляд изнутри" на эту хорошо изученную коллекцию, которая не так давно пополнилась беспрецедентным "экспонатом" - собственным Домом архитектора, построенным им для себя и своей семьи в конце 1920-х годов в Кривоарбатском переулке в Москве

Управляющие компании в России часто пользуются тем, что собственники квартир не знают собственных прав и возможностей: им выставляют счета за неоказанные услуги, ради экономии управляющие организации выбирают недобросовестных подрядчиков или попросту не платят поставщикам ресурсов за воду, свет и тепло. В итоге страдают все жители дома. Из этой книги вы узнаете, как взять управление домом в свои руки. Опираясь на законодательство и личный опыт, автор объясняет, как создать товарищество собственников жилья и эффективно управлять многоквартирным домом. Книга будет полезна и для собственников жилья, которые хотят создать товарищество, и для председателей уже действующих ТСЖ. Фотографии автора

Птицы вьют гнезда, звери устраивают норы, а человек возводит дом. Вы узнаете, что в самые древние времена люди не умели строить дома, а дверью первобытному человеку служил обыкновенный валун, что наличник на окне нужен, чтобы не пропустить нечистого духа,а стены домов богатые римляне украшали живописью. Эта книга расскажет о домашнем очаге и о том, как сделать, чтобы в вашем доме было всегда хорошо и уютно

На протяжении многих поколений список достопримечательностей Москвы традиционно ограничивался Кремлем и Красной площадью с храмом Василия Блаженного, мавзолеем Ленина и ГУМом. Но за последние десятилетия российская столица сильно изменилась. Одним из ключевых направлений градостроительного развития стал курс на полицентричность. Новые площади и парки становятся центрами притяжения и задают современные стандарты благоустройства. Одновременно в городе продолжает реализовываться целый ряд масштабных проектов многофункциональной застройки. Наш путеводитель по Москве это удобный и незаменимый справочник для каждого, кто интересуется архитектурой столицы. В книге представлено более 550 исторических и современных зданий, сооружений, парков и площадей

Computer aided design is already well established in architectural studios. In architecture and interior design spatial concepts are increasingly computer generated, illustrated and presented. This manual introduces different digital tools and includes tutorials based on everyday practice, which will be helpful in the design and planning stages. Examples of the application of digital technology by UN Studio give this book an immediate practical relevance

Prefabricated housing has long since ceased to mean the disfigurement of the urban landscape with monotonous grey boxes. Particularly in Central Europe and Russia, modern assembly methods and 100 years of experience in planning prefabricated buildings and constructing with large panels are experiencing a renaissance. Whereas predominantly in Moscow - the largest European metropolis with seventeen million - prefabricated housing is an essential instrument for the provision of residential assistance, prefabrication methods in Germany and Switzerland, for example, are used to build exclusive properties. This construction manual examines the potential of prefabricated housing on structural, historical and architectural grounds. In addition to an insight into the methods of production and assembly, roughly twenty selected examples are presented in large-format photographs, plans rich in detail and meaningful diagrams, providing a contribution to the discussion on affordable housing

Drawing on these multi-disciplinary perspectives, the volume hopes to overcome distances and trigger dialogues in several respects and realms: among the interested public, activists, "urban decision makers" and scholars in East and West, North and South alike • With the rise of grassroots initiatives in urban spaces across Eastern Europe and Eurasia in recent decades, Urban Activism in Eurasia approaches central questions: what are distinctive features and the dynamic of urban activism in contemporary post-Soviet cities? What are the strategies and practices of an urban civic engagement that evolves on a micro level and in larger scale processes? A variety of group and individuals claims to the city space and it's development, finding their own ways to initiate local urban change

With essays by Erik Stenberg, Christine Varga-Harris, and more, the book tells the story of concrete panels at the centre of debates in the modernising and industrialising processes of architecture • Can concrete panels fly? Though at first it sounds improbable, the answer to this question is yes, they did fly through the world, supported by other structures, both physical and mental. They flew from the factory floor to the building site, from one country to another, and through the most diverse array of media: from paintings to posters, cartoons, photography, film, toys, and even in the design of opera stages. During the second half of the twentieth century, concrete panels were seen soaring across the skies • When manual labor moved to automated mass-production, and new concrete element techniques rapidly spread producing billions of square meters of housing across the globe, the flying panel became the ultimate icon

Professor Pekka Pitkanen (1927-2018) was one of the most significant Finnish architects of the post-war period. He is known as a master of concrete buildings and as a staunch supporter of modernist approach to architecture. He won numerous commissions by architectural competitions. The Chapel of the Holy Cross (1963-1967) in Turku is usually considered as Pitkanen's main work. From 1950's to 1980's Pitkanen built in Turku numerous residential and commercial buildings, often in co-operation with the building company Urakoitsijat Oy. Together with Ola Laiho and Ilpo Raunio, Pitkanen planned the extension of the Finnish Parliament (1972-1978). Late in his career Pitkanen focused on public buildings, the finish of the career was the Turku court building, completed in 1997

Boris Iofan is best known as the architect behind the Palace of the Soviets. Yet his style was not limited to the Socialist Clas-sicism that flourished under Stalin. Rath-er, Iofan's architectural language evolved throughout his lifetime, from his eclecti-cist beginnings in Rome, to the grandeur of the wedding-cake style in the 1930s, to his incorporation of concrete panels under Khrushchev. This book presents a collec-tion of essays that chart the development of the architect's variegated career that spanned nearly six decades

The title Eastern Block Stories features a dozen of articles and over 60 unique hand-picked images about mass housing estates in former communist states. This book aims to address the blind spots to take a closer look at the major challenges for post-socialist housing estates today and imagine what could be their future • Besides stories from Georgia, Belarus, Russia, Ukraine, Poland and Germany unique photographic material which covers cases from more than ten countries is included. The major take of this book is to unveil the diversity of the Eastern blocks alive and the richness of their urban context besides a stigmatizing and alienating gaze

The ancient city of Asmara is the capital of Eritrea and it's largest settlement. Its beautiful architecture was rediscovered by outsiders in the early 1990s. In this book, the authors offer an original analysis of the colonial city, providing a history not only of the physical and visible urban reality, but also of a second, invisible city as it exists in the imagination. The colonial city becomes a fantastical set of cities where each one reflects the others as if in a kaleidoscope. This ambitious book breaks new ground, and moves us a little further along in the attempt to read Asmara into contemporary theory. This book brings together scholars from a multiplicity of disciplines who have shown the ways in which colonial and postcolonial criticism has served as a platform for new, diversified readings of Asmara, which compile cultural and social history, critical and political theory, anthropological fieldwork, visual culture studies, literary and cinematic analysis, gender studies, diaspora and urban studies