Windmill Books Legacy Harding Thomas

An old man lies dying. Confined to bed in his living room, he sees the walls around him begin to collapse, the windows come loose from their sashes, and the ceiling plaster fall off in great chunks, showering him with a lifetime of debris: newspaper clippings, old photographs, wool jackets, rusty tools, and the mangled brass works of antique clocks. Soon, the clouds from the sky above plummet down on top of him, followed by the stars, till the black night covers him like a shroud. He is hallucinating, in death throes from cancer and kidney failure • A methodical repairer of clocks, he is now finally released from the usual constraints of time and memory to rejoin his father, an epileptic, itinerant peddler, whom he had lost seven decades before

The Shore. A collection of small islands sticking out from the coast of Virginia into the Atlantic Ocean that has been home to generations of fierce and resilient women. Sanctuary to some but nightmare to others, it’s a place they’ve inhabited, fled, and returned to for hundreds of years • The women are united by both small miracles and miseries: from a brave girl’s determination to protect her younger sister as methamphetamine ravages their family, to a lesson in summoning storm clouds to help end a drought. Their interconnected stories form a deeply affecting legacy of two island families bound not just by blood, but by fate

In the past, Hugh Thomson has written acclaimed books about Peru, Mexico and the Indian Himalaya. Now he returns to the most exotic and foreign country of them all – his own • Walking right across England, along ancient trackways and green grass roads, Hugh explores the way the country was and the way it is today: the legends, literature and natural world that define us, and the undercurrent of regret running throughout our history; what he calls ‘the unicorn disappearing into the trees’ • From coast-to-coast and through the heart of the countryside, he shows how older,forgotten cultures like the Celts, Saxons and Vikings lie much closer to the surface than we may think. It is a journey enriched and partly told by the characters he meets along the way

Fifteen-year old Anais Hendricks is smart, funny and fierce, but she is also a child who has been let down, or worse, by just about every adult she has ever met. Sitting in the back of a police car, she finds herself headed for the Panopticon, a home for chronic young offenders where the social workers are as suspicious as its residents. But Anais can't remember the events that have led her there, or why she has blood on her school uniform

Meet the Bradleys • In lots of ways, they’re a normal family • Zippy is sixteen and in love for the first time; Al is thirteen and dreams of playing for Liverpool • And in some ways, they’re a bit different • Seven-year-old Jacob believes in miracles. So does his dad • But these days their mum doesn’t believe in anything, not even getting out of bed • How does life go on, now that Issy is gone?

In Dubai, a luxury apartment block is built in the shape of a giant iPod. In China, President Xi Jinping denounces the trend of constructing ‘bizarre’ new buildings in wacky shapes and colours. In Cincinnati, celebrity architect Zaha Hadid is paid millions to design a single ‘iconic’ structure – with the hope of single-handedly transforming the region’s ailing fortunes. These incidents are all part of the same story: the rise of the age of spectacle • Over the last fifty years, there has been a revolution in how our cities operate. In The Age of Spectacle, Tom Dyckhoff tells the story of how architecture became obsessed with the flashy, the monumental and the ostentatious – and how we all have to live with the consequences. Exploring cityscapes from New York to Beijing, and from Bilbao to Portsmouth, Dyckhoff shows that we are not just witnessing a new kind of building: we are living through a fundamental transformation in how our urban spaces work

In a small town in the middle of England, the aftermath of the Second World War brings change. For ambitious industrialist Charles Freeman, it offers new opportunities and marriage to Mary. He buys the big house on the hill and nails his aspirations to the future • In quick succession, three sons and a daughter bring life to the big house and, with it, the seeds of family joy and tragedy. As the children grow and struggle with the hazards of adulthood, Charles' business expands in direct proportion to his girth and becomes a symbol of the town's fortunes as Britain claws its way back from the grey austerity of wartime Britain • As times change, so do the family's fortunes. Their stories create a generous epic, an extraordinarily rich and plangent hymn to the transformation of middle England over the past fifty years

In brilliant poetic prose Bright Air Black brings us aboard the ship Argo for its epic return journey across the Black Sea from Persia’s Colchis – where Medea flees her home and father with Jason, the Argonauts, and the Golden Fleece. Vann’s reimagining of this ancient tale offers a thrilling, realist alternative to the long held notions of Medea as monster or sorceress. We witness with dramatic urgency Medea’s humanity, her Bronze Age roots and position in Greek society, her love affair with Jason, and her tragic demise • Atmospheric and spellbinding, Bright Air Black is an indispensable, fresh and provocative take on one of our earliest texts and the most intimate and corporal version of Medea’s story ever told

The Peterloo Massacre is a revealing and compelling account of one of the darkest days in Britain's social history • On 16 August 1819, a strong force of yeomanry and regular cavalry charged into a crowd of more than 100,000 workers who had gathered on St Peter’s Field in Manchester for a meeting about Parliamentary reform • Many were killed. This violent, startling event became known as Peterloo, one of the darkest days in Britain’s social history • The Peterloo Massacre provides a revealing narrative account of the events leading up to Peterloo, starkly describes the actions of that fateful day, and examines its aftermath. It offers a new perspective on the political and military activities of the time, and shows how the very nature of society was powerfully influenced by irreversible technological change: a pattern that, two-hundred years later, still has relevance in understanding the forces shaping our world today

A wonderfully readable investigation of the origins of the modern garden in 18th-century England. Popular history at its finest • One January morning in 1734, cloth merchant Peter Collinson hurried down to the docks at London's Custom House to collect cargo just arrived from John Bartram in the American colonies. But it was not bales of cotton that awaited him, but plants and seeds • Over the next forty years, Bartram would send hundreds of American species to England, where Collinson was one of a handful of men who would foster a national obsession and change the gardens of Britain forever: Philip Miller, author of the bestselling Gardeners Dictionary; the Swede Carl Linnaeus, whose standardised botanical nomenclature popularised botany; the botanist-adventurer Joseph Banks and his colleague Daniel Solander who both explored the strange flora of Tahiti and Australia on Captain Cook's Endeavour

Essen, 1946. Clara Falkenberg, once an iconic heiress, is on the run. With the city in ruins and her dear friend Elisa missing, Clara enlists the help of Jakob, a charming young racketeer with his own reasons for wanting to find Elisa. As the two join forces, it's not long before Clara's family secrets catch up with her. But she soon comes to realise the only way to survive is to face the truth of what she's done