Vintage books The Darkness Knows Indridason Arnaldur

The crime: Reykjavik, August 1941. When a travelling salesman is found murdered in a basement flat, the police initially suspect a member of the Allied occupation force • The suspect: Flovent, Reykjavik’s sole detective, is joined by the young military policeman Thorson. Their investigation focuses on a family of German residents, the retired doctor Rudolf Lunden and his estranged son Felix, who is on the run, suspected of being a spy • The ex-lover: Flovent and Thorson race to solve the case before US Counterintelligence can take it out of their hands. As evidence emerges of dubious experiments carried out on Icelandic schoolboys in the 1930s, Thorson becomes increasingly suspicious of the role played by the murdered man’s former girlfriend, Vera, and her British soldier lover

A skeleton is found half-buried in a dried out lake. The bones have been weighed down with an old radio transmitter: is this a clue to the victim, and the killer's identity? • Detective Erlendur is called in to investigate and discovers that there may be a connection with a group of students who were sent to study in East Germany during the Cold War, and with a young man who walked out of his family home one day, never to return • As the mystery deepens, Erlendur and his team must unravel a story of international espionage, murder and betrayal

Since the ascendancy of the Taliban the lives of Mosheen and his beautiful wife, Zunaira, have been gradually destroyed. Mosheen's dream of becoming a diplomat has been shattered and Zunaira can no longer even appear on the streets of Kabul unveiled. Atiq is a jailer who guards those who have been condemned to death; the darkness of prison and the wretchedness of his job have seeped into his soul. Atiq's wife, Musarrat, is suffering from an illness no doctor can cure. Yet, the lives of these four people are about to become inexplicably intertwined, through death and imprisonment to passion and extraordinary self-sacrifice • The Swallows of Kabul is an astounding and elegiac novel of four people struggling to hold on to their humanity in a place where pleasure is a deadly sin and death has become routine

The Vintage Classics Europeans series - with covers provided by textile design firm Wallace Sewell, these are must-have editions of European masterpieces, celebrating the warp and weft of a shared literary treasury • It is the spring of 1869 and there is talk of revolution in Sicily, by day the rattle of firing squads and by night the flickering lights of bonfires lit by rebel bands. Prince Fabrizio knows that beneath these outward signs of transformation, the sensuality, languor and corruption of his native land will never change. But can his family’s ancient power endure? Lampedusa’s macabre myth remains astounding relevant, reflecting any modern edifice of power and money just as surely as it shows us a corner of Italy long ago

The Ds can't wait to go and stay with Nancy and Peggy in the Lake District during the summer holidays. But when the Amazons’ dreadful Great Aunt invites herself to stay too, the summer is threatened with dullness. Staying indoors and reading poetry is not what anyone had in mind. To save the Ds from total boredom, the Amazons arrange for their friends to stay in a tumble-down hut in the woods. And as long as no one discovers they're there they can sail all summer long • In the Backstory you can learn how to make a campfire! • Vintage Children’s Classics is a twenty-first century classics list aimed at 8-12 year olds and the adults in their lives

'The Anatomy Lesson is a ferocious, heartfelt book - lavish with laughs and flamboyant inventions' John Updike • With his fortieth birthday receding into the distance, along with his hairline and his most successful novel, the writer Nathan Zuckerman comes down with a mysterious affliction – pure pain, beginning in his neck and shoulders, invading his torso, and taking possession of his spirit. Zuckerman, whose work was his life, finds himself physically unable to write a line • He treks from one doctor to another, but none can find a cause for the pain and nobody can assuage it. Could it be, he wonders to himself, that the cause of the pain is nothing less than the books he has written? • As he grapples with this possibility, he tries an onslaught of painkillers, then vodka, and finally marijuana

The Northmen’s Fury tells the Viking story, from the first pinprick raids of the eighth century to the great armies that left their Scandinavian homelands to conquer larger parts of France, Britain and Ireland. It recounts the epic voyages that took them across the Atlantic to the icy fjords of Greenland and to North America over four centuries before Columbus and east to the great rivers of Russia and the riches of the Byzantine empire • One summer’s day in 793, death arrived from the sea. The raiders who sacked the island monastery of Lindisfarne were the first Vikings, sea-borne attackers who brought two centuries of terror to northern Europe. Before long the sight of their dragon-prowed longships and the very name of Viking gave rise to fear and dread, so much so that monks were reputed to pray each night for delivery from ‘the Northmen’s Fury’

The Italian Renaissance shaped Western culture - but it was far stranger and darker than many of us realise. We know the Mona Lisa for her smile, but not that she was married to a slave-trader. We revere Leonardo da Vinci for his art, but few now appreciate his ingenious designs for weaponry. We visit Florence to see Michelangelo's David, but hear nothing of the massacre that forced the republic's surrender. In fact, many of the Renaissance's most celebrated artists and thinkers emerged not during the celebrated 'rebirth' of the fifteenth century but amidst the death and destruction of the sixteenth century • The Beauty and the Terror is an enrapturing narrative which includes the forgotten women writers, Jewish merchants, mercenaries, prostitutes, farmers and citizens who lived the Renaissance every day

The Bass Rock has for centuries watched over the lives that pass under its shadow on the Scottish mainland. And across the centuries the fates of three women are linked: to this place, to each other • In the early 1700s, Sarah, accused of being a witch, flees for her life • In the aftermath of the Second World War, Ruth navigates a new house, a new husband and the strange waters of the local community • Six decades later, the house stands empty. Viv, mourning the death of her father, catalogues Ruth's belongings and discovers her place in the past - and perhaps a way forward • Each woman's choices are circumscribed by the men in their lives. But in sisterhood there is the hope of survival and new life

The vivid scenes on the Bayeux Tapestry depict the events leading up to the Battle of Hastings in 1066. It is one of Europe's greatest treasures and its own story is full of drama and surprise • Who commissioned the tapestry? Was it Bishop Odo, William's ruthless half-brother? Or Harold's dynamic sister Edith, juggling for a place in the new court? Hicks shows us this world and the miracle of the tapestry's making: the stitches, dyes and strange details in the margins. For centuries it lay ignored in Bayeux cathedral until its 'discovery' in the eighteenth century. It became a symbol of power as well as art: townsfolk saved it during the French Revolution; Napoleon displayed it to promote his own conquest; the Nazis strove to make it their own; and its influence endures today

The story of modern Australia begins in eighteenth-century Britain, where people were hanged for petty offences but crime was rife, and the gaols were bursting. From this situation was born the Sydney experiment, with criminals perceived to be damaging British society transported to Sydney, an 'open air prison with walls 14,000 miles thick' • Eleven ships were dispatched in 1781, and arrived in Australia after eight hellish months at sea. Tom Keneally describes the first four years of the 'thief colony' and how, despite the escapes, the floggings, the murders and the rebellions, it survived against the odds to create a culture which would never have been tolerated in its homeland but which, in Australia, became part of the identity of a new and audacious nation