The Yellow Wall-Paper Charlotte Perkins Gilman Penguin Group

Wonderfully sardonic and slyly humorous, the writings of landmark American feminist and socialist thinker Charlotte Perkins Gilman were penned in response to her frustrations with the gender-based double standard that prevailed in America as the twentieth century began. Perhaps best known for her chilling depiction of a woman's mental breakdown in her unforgettable 1892 short story 'The Yellow Wall-Paper', Gilman also wrote Herland, a wry novel that imagines a peaceful, progressive country from which men have been absent for 2,000 years. Both are included in this volume, along with a selection of Gilman's major short stories and her poems

Этот сборник, в который вошёл целый ряд величайших произведений Шарлотты Перкинс Гилман, в том числе "Жёлтые обои" - доказательство значимости её творчества как для литературы, так и для движения за права женщин • Подаривший книге название рассказ - история женщины, которую муж заточил в её комнате под предлогом опасений за её здоровье. Разглядывание узоров на обоях - её единственный способ себя занять, и постепенно она начинает сходить с ума • Книга на английском языке • Featuring several of her greatest stories including "The Yellow Wall-paper," this collection showcases Charlotte Perkins Gilman as a leading light of both fiction and feminism • In the title story, a young woman is confined to her room by her husband for the sake of her health

The Yellow House: Van Gogh, Gauguin and Nine Turbulent Weeks in Arles is art critic Martin Gayford's account of the tumultuous nine weeks in which the famous nineteenth century artists Vincent van Gogh and Paul Gauguin shared a house in the small French town of Arles • Two artistic giants. One small house • From October to December 1888 a pair of at the time largely unknown artists lived under one roof in the French provincial town of Arles. Paul Gauguin and Vincent Van Gogh ate, drank, talked, argued, slept and painted in one of the most intense and astonishing creative outpourings in history. Yet as the weeks passed Van Gogh buckles under the strain, fought with his companion and committed an act of violence on himself that prompted Gauguin to flee without saying goodbye to his friend

Avi Shlaim's The Iron Wall: Israel and the Arab World is the outstanding book on Israeli foreign policy, now thoroughly updated with a new preface and chapters on Israel's most recent leaders • In the 1920s, hard-line Zionists developed the doctrine of the 'Iron Wall': negotiations with the Arabs must always be from a position of military strength, and only when sufficiently strong Israel would be able to make peace with her Arab neighbours • This doctrine, argues Avi Shlaim, became central to Israeli policy; dissenters were marginalized and many opportunities to reconcile with Palestinian Arabs were lost. Drawing on a great deal of new material and interviews with many key participants, Shlaim places Israel's political and military actions under and uncompromising lens

'Paris, 4 July 2003: My first Tour de France. I had never seen a bike race. I had only vaguely heard of Lance Armstrong. I had no idea what I was doing there. Yet, that day I was broadcasting live on television. I fumbled my way through a few platitudes, before summing up with the words, "...Dave Millar just missing out on the Yellow Jumper." Yes, the Yellow Jumper.' • Follow Ned Boulting's (occasionally excruciating) experiences covering the world's most famous cycling race. His story offers an insider's view of what really goes on behind the scenes of the Tour. From up-close-and-personal encounters with Lance Armstrong to bewildered mishaps with the local cuisine, Ned's been there, done that and got the crumpled-looking t-shirt • Eight Tours on from Ned's humbling debut, he has grown to respect, mock, adore and crave the race in equal measure

The fifth book in the new Penguin Maigret series: Georges Simenon's gripping tale of small town suspicion and revenge, in Linda Asher's timeless translation • There was an exaggerated humility about her. Her cowed eyes, her way of gliding noiselessly about without bumping into things, of quivering nervously at the slightest word, were the very image of a scullery maid accustomed to hardship. And yet he sensed, beneath that image, glints of pride held firmly in check. She was anaemic. Her flat chest was not formed to rouse desire. Nevertheless, she was strangely appealing, perhaps because she seemed troubled, despondent, sickly • In the windswept seaside town of Concarneau, a local wine merchant is shot. In fact, someone is out to kill all the influential men and the entire town is soon sent into a state of panic

Она жила отсрочками; она собиралась бросить пить; она откладывала время, а теперь разбила свою машину • Одновременно суровая и нежная, экспансивная и остро смешная, Книга Сол Беллоу "Покидая желтый дом" - это история пожилой и склонной к саморазрушению наркоманки из городка в западной пустыне, которая оказывается перед окончательным выбором • Книга на английском языке • She had lived by delays; she had meant to stop drinking; she had put off the time, and now she had smashed her car • At once harsh and tender, expansive and acutely funny, this is the story of an elderly and self-destructive dipsomaniac in a Western desert town, who finds herself faced with a final, impossible choice • Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour

Charlotte Perkins Gilman wrenched this small literary masterpiece from her own experience. Narrated with superb psychological skill and dramatic precision, it tells the story of a nameless woman driven mad by enforced confinement after the birth of her child. Isolated in a colonial mansion in the middle of nowhere, forced to sleep in an attic nursery with barred windows and sickly yellow wallpaper, secretly she does what she has to do - she writes. She craves intellectual stimulation, activity, loving understanding, instead she is ordered to her bedroom to rest and 'pull herself together'. Here, slowly but surely, the tortuous pattern of the wallpaper winds its way into the recesses of her mind