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The language of flowers Ildrewe Книга по Требованию

Эта книга будет изготовлена в соответствии с Вашим заказом по технологии Print-on-Demand • Книга представляет собой репринтное издание. Несмотря на то, что была проведена серьезная работа по восстановлению первоначального качества издания, на некоторых страницах могут обнаружиться небольшие "огрехи": помарки, кляксы и т.п.
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The language of flowers is as old as language itself. In the earliest poetry familiar plants were used to represent simple emotions, ideas, or states of mind: love, hope, despair, fidelity, solitude, beauty, mortality. Over time these associations entwined with myth and legend, with religious symbolism, folk and herbal lore. By the early 19th century the 'Language of Flora' had become increasingly refined, especially in England and America, where sentimental flower books listing flower meanings and illustrating them with verse were perennial bestsellers • The Everyman Language of Flowers without sacrificing the charm of its Victorian predecessors aims to provide extended, updated and rather more robust floral anthology for the 21st century, presenting poetry from ancient Greece to contemporary Britain and America, and spanning the world from Cuba to Korea, Russia to Zimbabwe
My-shop.ru г. Москва
1 969 руб.
The Language of Flowers by Vanessa Diffenbaugh is a moving story of hope and forgiveness, and an international bestseller • The Victorians used flowers to express emotions: honeysuckle for devotion, azaleas for passion, and red roses for love. For Victoria Jones, flowers and their meanings are her only connection to the world - although for her, they are most useful in expressing feelings such as grief, mistrust and solitude • After a childhood in the foster care system, Victoria - now eighteen - has nowhere to go, and sleeps in a public park, where she plants a small garden of her own. When her talent is discovered by a local florist, she discovers her gift for helping others through the flowers she chooses for them. But it takes a meeting with a mysterious vendor at the flower market for her to realize what's been missing in her own life
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2 051 руб.
Redout?. The Book of Flowers XL — книга-посвящение работе «Рафаэля Цветов», художника и ботаника Пьера-Жозефа Редуте. Каталог включает в себя гравюры из из сборников «Розы и Собрание самых красивых цветов» и «Лилии». «Один из величайших гениев ботаническо
Galerie 46 доставка из г. Санкт-Петербург
12 400 руб.
THE HISTORY OF WHOO Питательный набор по уходу за лицом THE WHOO GONGJINHYANG 2P SET Наборы для ухода за лицом
Л'Этуаль г. Москва
9 592 руб.
Владислав ПЬЯВКО - выдающийся русский тенор, народный артист Советского Союза, народный артист Кыргызстана, заслуженный деятель искусств Республики Монголия • В 1965-1989 годах солист Государственного академического Большого театра СССР. В 1967-1969 годах стажёр театра "Ла Скала", Милан. В 1989-1996 годах солист Государственной немецкой оперы (Штаатс-опер, Берлин) • С 1970-х годов постоянно публикуется в периодической печати по проблемам музыкального театра. В 1983 году снял на "Мосфильме" музыкальный фильм "Ты мой восторг, моё мученье..." как режиссёр, сценарист и исполнитель главной роли. В 1984 году в Италии награждён Золотой именной медалью города Ливорно "Владислав Пьявко - Великий Гульельмо Ратклифф" за исполнение архитрудной партии Гульельмо в опере П
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1 443 руб.
The Language of Literature - Учебное пособие серии «Cambridge Topics in English Language» • Серия понятных вводных учебных пособий по основным научным темам в области английской лингвистики и стилистики, подходящих для студентов продвинутого уровня и выше • The Language of Literature - это общее введение в методы и принципы, лежащие в основе стилистики. В пособии используется подход, согласно которому лучший способ изучения художественных текстов - это пристальное внимание к языку • Серия знакомит студентов с основными современными проблемами и концепциями с помощью кратких упражнений, помогающих объяснить методы анализа, обобщая ключевые проблемы и современные находки, вдохновляя предложениями по исследованию, практическими вопросами и списками для дальнейшего чтения
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2 769 руб.
Set in seventeenth-century Iran, The Blood of Flowers is the powerful and haunting story of a young girl's journey from innocence to adulthood • The novel begins in the 1620s in a remote village where the narrator (whose name, in the Iranian storytelling tradition, we are never to know) lives with her mother and rug-maker father. On the sudden death of her father, our heroine and her mother fall upon hard times and are forced to travel to the bustling, beautiful, exotic city of Isfahan where relatives take them in • Everything is new: the grudging charity of her aunt, the encouragement of her uncle, one of the finest carpet-makers in the world, who begins to teach her his craft, the treacherous friendship of the daughter of rich neighbours. And there's an adventure ahead which will introduce her to the sensual side of life as well as to the cruelty of betrayal and rejection before she finds her way to contentment and possibly, even, to happiness, in a world full of contrasts and dangers
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1 810 руб.
Chanel: The Making of a Collection — книга-исследование истории и культуры Chanel, рассказывающая о том, как разрабатываются коллекции знаменитого модного дома • Журналистка Летиция Сенак (Laetitia Ce?nac) кропотливо описывает каждый этап создания дизайна
Galerie 46 доставка из г. Санкт-Петербург
5 500 руб.
The director of the Design Museum defines the greatest artefact of all time: the city • We live in a world that is now predominantly urban. So how do we define the city as it evolves in the twenty-first century? Drawing examples from across the globe, Deyan Sudjic decodes the underlying forces that shape our cities, such as resources and land, to the ideas that shape conscious elements of design, whether of buildings or of space. Erudite and entertaining, he considers the differences between capital cities and the rest to understand why it is that we often feel more comfortable in our identities as Londoners, Muscovites, or Mumbaikars than in our national identities
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2 163 руб.
You've heard of the Horse Whisperer - now meet the woman who uses similar methods to train dogs • Jan Fennell's remarkable gifts have earned her the nickname "the dog listener". Her unique understanding of the canine world and its instinctive language has enabled her to bring even the most desperate and delinquent of dogs to heel • This easy-to-follow guide to understanding Jan's simple techniques draws on her countless case histories of problem dogs - from biters and barkers to bicycle chasers - to show how we can bridge the language barrier that separates man from his best friend • In The Dog Listener Jan shares her secrets, telling us how she grew determined to find a more compassionate alternative to standard "obedience" training techniques and ultimately how to communicate with canines
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1 699 руб.
This innovative volume presents an in-depth study of the language used by participants in business meetings. The cutting-edge research draws on the Cambridge and Nottingham Business English Corpus (CANBEC), a unique resource which brings together meetings of different types both within and between companies, involving speakers whose roles and responsibilities vary, and who represent a range of nationalities and first languages. Keywords, concordance lines and discourse analysis provide thorough insights into aspects such as the structural stages of meetings, participants' discursive practices, interpersonal language and creativity, and power and constraint. The author concludes by making practical suggestions for using these findings to inform the teaching of business English
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6 733 руб.
I felt that Mary was there, pulling at my sleeve, willing me to appreciate the artistry, wanting me to understand the dazzle of the material world that shaped her • At her execution Mary, Queen of Scots wore red. Widely known as the colour of strength and passion, it was in fact worn by Mary as the Catholic symbol of martyrdom • In sixteenth-century Europe women's voices were suppressed and silenced. Even for a queen like Mary, her prime duty was to bear sons. In an age when textiles expressed power, Mary exploited them to emphasise her female agency. From her lavishly embroidered gowns as the prospective wife of the French Dauphin to the fashion dolls she used to encourage a Marian style at the Scottish court and the subversive messages she embroidered in captivity for her supporters, Mary used textiles to advance her political agenda, affirm her royal lineage and tell her own story
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2 201 руб.
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