Tolstoi L Guerra y paz

Pendant un voyage en train, un homme se confie et raconte comment, apres plusieurs annees de mariage, sa femme, decue, a pris un amant. La jalousie s'est alors emparee de lui pour le conduire jusqu'au meurtre • Peinture de la vie conjugale et de ses frustrations, recit d'une descente aux enfers et drame de la jalousie, une nouvelle d'une rare intensite dramatique

Auf dem Sterbebett bilanziert der 45-jahrige erfolgreiche Anwalt Iwan Iljitsch sein au?erlich wohlgeratenes Leben und muss erkennen, dass er sich lebenslang getauscht hat: Sein Beruf bedeutet ihm nichts, auch die Bindungen zu seiner Familie erscheinen ihm nun herzlos und hohl, Gleichgultigkeit und Eigendunkel beherrschen alles Zwischenmenschliche. Einzig die aufrichtige Sorge des Dieners Gerassim und die ehrliche Trauer seines kleinen Sohnes Wasja versohnen ihn ein wenig, bis er schlielich stirbt. Tolstois 1886 erschienene Novelle 'Der Tod des Iwan Iljitsch' besticht durch die ungeheure Meisterschaft, mit der der russische Dichter den Todeskampf seiner Titelfigur nachfuhlbar macht

Fils de fonctionnaire, Ivan Hitch a gravi avec succes tous les echelons de la hie-rarchie administrative. II aime sortir, frequenter la haute societe, et fait son possible pour eviter des responsabi-lites familiales assommantes. Mais, au sommet de sa reussite sociale. Hitch est frappe par la maladie. Accable d'atroces souffrances, conscient de I'imminence de sa mort, il comprend la futilite de ses ambitions. Trop tard

One of Tolstoy's last published works of fiction, The Devil revolves around the young landowner Yevgeny's irrepressible lust for Stepanida, a sensual peasant woman. Even when he gets married to a respectable upper-class lady, he finds himself unable to put an end to his encounters with Stepanida, and becomes increasingly consumed by guilt and helplessness in the face of his urges. In some ways comparable to the controversial Kreutzer Sonata, The Devil shows Tolstoy at his most salacious, and addresses the conflicts between desire, social norms and personal conscience. Also included in this volume is Family Happiness, one of Tolstoy's earliest works, an entertaining and cynical account of marriage from the perspective of a disillusioned wife, and A Landowner's Morning

L'Art De La Guerra Парфюмированная Вода Спрей Восточный фужерный аромат для женщин и мужчин Свежий, сладкий, сочный, земляной, натуральный и манящий Верхние ноты: бергамот, зеленое яблоко и ревень Средние ноты: лаванда, бессмертник, мускат и фиалка Базовые ноты: пачули, сандал, кожа, дубовый мох и лабданум Выпущен в 2014 году Подходит для дневного применения и теплых сезонов

Усилитель механизма сцепления (Wabco:970 051 440 0) MAZ,PAZ 4235/4238 КПП 5S600

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Декор 41zero42 Paper41 Pro 4100596 Paz 50x100

Материал керамической плитки: керамическая плитка • Размер, см: 12x25.1 • Вес упаковки, кг: 7.496 • Штук в упаковке: 11 • Страна: Испания

Материал керамической плитки: керамическая плитка • Размер, см: 4x25.1 • Вес упаковки, кг: 6.504 • Штук в упаковке: 26 • Страна: Испания

Completing his edgy Spanish trilogy, Jason Webster unearths the secrets of the Spanish Civil War, and turns it into a personal quest for its dark legacy in today's Spain • After twelve years in Spain, Jason Webster had developed a deep love for his adopted homeland; his life there seemed complete. But when he and his Spanish wife moved into an idyllic old farmhouse in the mountains north of Valencia, by chance he found an unmarked mass grave from the Spanish Civil War on his doorstep.Spurred to investigate the history of the Civil War, a topic many of his Spanish friends still seemed to treat as taboo, he began to uncover a darker side to the country. Witness to a brutal fist-fight sponsored by remnants of Franco's Falangists, arrested and threatened by the police in the former HQ of the Spanish Foreign Legion, sheltered by a beautiful transvestite, shunned by locals, haunted by ghosts and finally robbed of his identity, Webster encountered a legacy of cruelty and violence that seems to linger on seventy years after the bloody events of that war

The redevelopment of historical centres became an important policy field in the era of European dictatorships following the First World War. At that time historical centres were regarded as shabby and as tarnishing the desired image of a magnificent new city, of a showcase of the dictatorship. This led to the widespread demolition of older buildings. Historical streets and squares disappeared and were replaced by new apartments and workplaces for the loyal middle classes, by car-friendly roads and ostentatious new buildings. Nevertheless, the redevelopment of historical centres did not exclusively mean the eradication of the ‘old town’. The aim of the dictatorship in many cases was also the preservation, and often the cultic display, of historical testimonials to past greatness