Pre-Raphaelite Cats Herbert Susan Thames&Hudson

As feminism gained momentum in 1970s America, three photographers Abigail Heyman, Eve Arnold and Susan Meiselas published massively influential photobooks informed by the movement. The first, Heyman's Growing Up Female (1974), is a kind of feminist diary: the photographer casts a lucid eye at her own life and questions the imprisonment of women in stereotype roles. The second, Eve Arnold's "The Unretouched Woman" (1976), shows unknown women and celebrities in spontaneous everyday moments. The photos were deliberately not retouched or staged and offer a nuanced vision of women far from the glamor of glossy magazines. The third, Susan Meiselas Carnival Strippers (also 1976), is the fruit of three years of investigation into fairground striptease sideshows in the Northeastern United States

This survey of the world's most innovative and successful examples of pre-fabricated homes explores the full range of possibilities, open to anyone seeking to find clever and up-to-date solutions for building their own home. From net-zero houses to plug-and-play dwellings and converted shipping containers, each chapter explores the varied and exciting ways that architects and designers are using pre-fabricated technology to address today's living and world challenges. A reference section includes in-depth essays, which explore the latest manufacturing methods, trends and technologies, presenting a wide range of possibilities to suit every need, taste and desire • Richly illustrated with photography and drawings, with projects selected by a long-time expert in pre-fab architecture, this fresh take on new solutions presents the factory-made house in a new light

While acknowledging the legacy of Herbert Read’s classic 1959 study A Concise History of Modern Painting in the World of Art series, academic and artist Simon Morley places the foundation of modern art much earlier than Read, at the emergence of Romanticism and the dawn of the industrial age. Structured loosely chronologically by period, the focus is as much on individual artists as well as movements, with works discussed within a broader context - stylistic, historical, geographical, and gender and ethnic frames - themes that recur throughout the chapters. Generously illustrated, the global and diverse range of artists featured include William Blake, Edouard Manet, Hilma af Klint, Kazimir Malevich, Willem de Kooning, Amrita Sher-Gil, Faith Ringgold and Kehinde Wiley

The Russian Empire was among the most mysterious of the world's great powers, profoundly torn between a rural population living almost medieval lives and industrial and social change in the cities. The tsar's gigantic realm struggled with the advent of modernity and with its own internal contradictions between Asia and Europe, faith and science, different ethnic groups, and the divergent interests of the aristocracy, the middle classes, the urban workers, and the rural poor: a continent of contradictions from abject poverty to fairy-tale wealth captured by authors from Tolstoy to Chekhov, from Gogol to Gorky. Twilight of the Romanovs opens a door into the world of pre-revolutionary Russia using original photographs taken during the last decades of Romanov rule

Chaumet Tiaras: Divine Jewels — фотособрание тиар Chaumet. Драгоценный головной убор стал визитной карточкой парижского ювелирного дома: более 250 лет его мастера создают поразительные тиары для королевских особ, знаменитостей и женщин, которые хотят прик

This book traces the extraordinary life of an artist whose unforgettable imagery combined cruelty and wit, honesty and insolence, pain and empowerment • Admired by the Surrealists and photographed by the greatest, Frida was most renowned for her self-portraits and unusual still lifes. She learned about suffering at an early age. She contracted polio when she was six and was seriously maimed in a bus accident at the age of eighteen, which led to injuries that affected her for the rest of her life. She had a legendarily turbulent marriage to the great mural painter Diego Rivera, with whom she formed a strong attachment to indigenous Mexican folk art and a deep commitment to Communism

Neutral hues, an ill-fitting man's suit and wiggling locks of cut hair supplant Frida Kahlo's (1907-54) usual lively color palette, indigenous Mexican dress and long plaits in Self-Portrait with Cropped Hair (1940). Nevertheless, the painting remains unmistakably Kahlo's. In the wake of a divorce from artist Diego Rivera, Kahlo turns to her favorite genre, self-portraiture, to express her deepest emotional and psychological urges. Inscribed with the lyrics of a popular song that translate as "Look, if I loved you it was for your hair. Now that you're without it I no longer love you", the work oscillates between evocations of a popular culture shared by many and unflinching forays into the private sphere. Curator Jodi Roberts essay, too, moves between the public and the private as it situates Kahlo's painting in the context of the Mexican Revolution's legacy, the Surrealist tradition and the artist's own life to explore the ways in which Kahlo constructed and reconstructed her own identity

Rasem Badran's influence is rapidly spreading throughout the developing world. Covering the full spectrum from urban planning to individual residences, his work is human-scaled, responsive to it's environment and meets the social and cultural requirements of the people who use it. He is often seen as the natural successor to the seminal Egyptian architect Hassan Fathy • This volume provides a thorough overview of Badran's work, bringing together the architect's own dramatic collection of drawings, plans and photographs, many seen here for the first time • A comprehensive chronology of Badran's work completes this fascinating survey of one of the most influential and revolutionary architects of our time

Recent advances in technologies and home-generated renewable energy have made building away from urban and rural infrastructures more practical and affordable than ever. This survey of the world's most innovative off-grid homes reveals the cuttingedge architecture and technology that is enabling us to escape to some of the most extraordinary natural environments on the planet • All of the houses featured in this book are fully, or almost fully, self-sufficient in terms of energy, water and, in some cases, food. Architecture and interior design expert Dominic Bradbury reveals how each architect has made everyday living in these wild and natural settings a rewarding and tempting reality. From snowbound cabins in the far Northern Hemisphere to coastal retreats that can only be accessed by boat, the diverse projects collected here show the innovative ways in which architects and their clients are tackling extreme climates, remoteness and construction challenges to enable a new way of life that is both liberating and sustainable

One Saturday evening, sisters Pip and Maisie are sitting in the warm snug of their grandparent's cottage on the edge of a forest in Scotland. Maisie is restless and longs for adventure, but life at the cottage is always slow. When a bright light suddenly falls from the sky into the forest next door, Maisie can't believe her luck - finally an adventure has come her way! She has boots on and torch in hand before Pip has even put down her hot chocolate • Maisie is desperate to discover the special something as quickly as she can. As the two sisters journey through the dark forest towards the gradually receding light, her imagination runs riot - perhaps it's space treasure, gold dust, or maybe even a creature from outer space! Pip, meanwhile, takes in the dark shapes and strange sounds around her, tentatively adjusting to the forest and its wild inhabitants

Known for his multi-storey murals gracing buildings all over the world, Melbourne-based artist Rone uses his work to explore the friction and connection between beauty and decay, youth and ruin • Rone was a seminal figure in the explosive Melbourne street art scene of the early 2000s. With his beginnings in street art, stencil and screen printing, Rone is now best known for his haunting images of women's faces, rendered in arresting detail on silos and store fronts, museums and apartment blocks. His immersive installations have continued his investigation into divergent themes of beauty and ruin, materiality and loss, through the transformation of condemned, derelict or forgotten spaces - with each artwork painstakingly produced, only to be destroyed

In 1907 Edward VII commissioned Peter Carl Faberge - court artist-jeweller to imperial Russia - to produce miniature sculptures of animals on the royal estate at Sandringham. Designed to please Queen Alexandra, the project was suggested by the king's mistress Alice Keppel (the Duchess of Cornwall's great grandmother). The best craftsmen were sent to Norfolk to make wax models which were then taken to Russia to be rendered in hardstones, gemstones, gold, silver and platinum as directed by Faberge himself • Faberge's most ambitious venture in England showed the naturalistic genius of his workshops in St Petersburg and Moscow. It also crowned his career of patronage by the two Danish princesses, Alix and Dagmar, who married British and Russian princes and later became queen-empresses of rival empires