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MacLehose Press Portrait Of A Man Perec Georges

MacLehose Press Portrait Of A Man Perec Georges

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Gaspard Winckler, master forger, is trapped in a basement studio on the outskirts of Paris, with his paymaster's blood on his hands. The motive for this murder? A perversion of artistic ambition. After a lifetime lived in the shadows, he has strayed too close to the sun • Fittingly for such an enigmatic writer, Portrait of a Man is both Perec's first novel and his last. Frustrated in his efforts to find a publisher, he put it aside, telling a friend: "I'll go back to it in ten years when it'll turn into a masterpiece, or else I'll wait in my grave until one of my faithful exegetes comes across it in an old trunk." • An apt coda to one of the brightest literary careers of the twentieth century, it is - in the words of David Bellos, the "faithful exegete" who brought it to light - "connected by a hundred threads to every part of the literary universe that Perec went on to create - but it's not like anything else that he wrote" подробнее
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Lord of All the Dead is a courageous journey into Javier Cercas' family history and that of a country collapsing from a fratricidal war. The author revisits Ibahernando, his parents' village in southern Spain, to research the life of Manuel Mena. This ancestor, dearly loved by Cercas' mother, died in combat at the age of nineteen during the battle of the Ebro, the bloodiest episode in Spain's history • Who was Manuel Mena? A fascist hero whose memory is an embarrassment to the author, or a young idealist who happened to fight on the wrong side? And how should we judge him, as grandchildren and great-grandchildren of that generation, interpreting history from our supposed omniscience and the misleading • perspective of a present full of automatic answers, that fails to consider the particularities of each personal and family drama? • Wartime epics, heroism and death are some of the underlying themes of this unclassifiable novel that combines road trips, personal confessions, war stories and historical scholarship, finally becoming an incomparable tribute to the author's mother and the incurable scars of an entire generation
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Eduardo Mendoza's classic novel about the birth of Barcelona as a world city, embodied in the rise of the ambitious and unscrupulous Onofre Bouvila • "Though historical in subject matter, this story of Catalonian enterprise and Barcelonan ambition is thoroughly contemporary in spirit" Jonathan Franzen • Stung by the realisation that his father is a fraud and a failure, Onofre Bouvila leaves a life of rural poverty to seek his fortune in Barcelona • The year is 1888, and the Catalan capital is about to emerge from provincial obscurity to take its place amongst the great cities of the world, thanks to the upcoming Universal Exhibition • Thanks to a tip-off from his landlord's daughter, Onofre gets his big break distributing anarchist leaflets to workers preparing for the World Fair
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Doctor Justo Pastor Proceso Lopez, adored by his female patients but despised by his wife and daughters, has a burning ambition: to prove to the world that the myth of Simon Bolivar, El Libertador, is a sham and a scandal • In Pasto, south Colombia, where the good doctor plies his trade, the Feast Day of the Holy Innocents is dawning. A day for pranks, jokes and soakings ... Water bombs, poisoned empanaditas, ground glass in the hog roast - anything goes • What better day to commission a float for The Black and White Carnival that will explode the myth of El Libertador once and for all? One that will lay bare the massacres, betrayals and countless deflowerings that history has forgotten • But in Colombia you question the founding fables at your peril
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In the final moments of the Spanish Civil War, fifty prominent Nationalist prisoners are executed by firing squad. Among them is the writer and fascist Rafael Sanchez Mazas. As the guns fire, he escapes into the forest, and can hear a search party and their dogs hunting him down. The branches move and he finds himself looking into the eyes of a militiaman, and faces death for the second time that day • But the unknown soldier simply turns and walks away. Sanchez Mazas becomes a national hero and the soldier disappears into history. As Cercas sifts the evidence to establish what happened, he realises that the true hero may not be Sanchez Mazas at all, but the soldier who chose not to shoot him. Who was he? Why did he spare him? And might he still be alive?
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We’ve all stood on a street corner and let the city’s lights and sounds pass by. What do we hear when we listen to the sounds of the city? What traces do they leave in us? The city and the streets are the same as before, but the people who emerge in Echoes of a City have never been seen before • At the centre are Ewald and Maj Kristoffersen, but their fates are closely interwoven with the streets they live on. Down the road a couple has a butcher’s shop. They have a son, Jostein, who goes deaf after a traffic accident. Jesper, Ewald and Maj’s son, promises to be his ears in the world. The butcher couple and the widow Mrs Vik have a telephone, but not the Kristoffersen family. Jesper takes piano lessons, Mrs Vik meets the widower Olaf Hall who runs the second-hand bookshop at the cemetery
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What a Man ! est un monovocalisme en « a » : la seule voyelle autorisée est le « a ». Ainsi Georges Perec signa sous le nom de Gargas Parac. Le récit se compose en trois parties : un prologue, un flash-back et un épilogue des aventures d’Armand d’Artagnan, « crack pas bancal, as à la San A », qui, après avoir mis à l’ombre le hors-la-loi Andras Mac Adam pour l’assassinat d’un certain Max van Zapatta accumule les exploits jusqu’à ce qu’un « banal anthrax nasal » le fasse passer de vie à trépas • Il s’agit bien sûr, d’un jeu à jouer avec l’auteur et à travers duquel le lecteur teste son vocabulaire et surtout son sens de l’humour. Le texte s’accompagne d’un vaste appareil critique mis au point par Marcel Bénabou, facilitant la compréhension du lexique merveilleusement érudit de ce « verbicruciste endiablé » qu’était Georges Perec
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Written in alternating chapters, W or the Memory of Childhood, tells two parallel tales, in two parts. One is a story created in childhood and about childhood. The other story is about two people called Gaspard Winckler: one an eight-year-old deaf-mute lost in a shipwreck, the other a man despatched to search for him, who discovers W, an island state based on the rules of sport. As the two tales move in and out of focus, the disturbing truth about the island of W reveals itself • Perec combines fiction and autobiography in unprecedented ways, allowing no easy escape from these stories, or from history
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Four narrators, a student from a cafe, a private detective hired by an aggrieved husband, the heroine herself and one of her lovers, construct a portrait of Jacqueline Delanque, otherwise known as Louki • The daughter of a single mother who works in the Moulin Rouge, Louki grows up in poverty in Montmartre. Her one attempt to escape her background fails when she is rejected from the Lycee Jules-Ferry. She meanders on through life, into a cocaine habit, and to frequenting the Cafe Conde, whose regulars begin calling her "Louki". She drifts into marriage with a real estate agency director, but finds no satisfaction with him or his friends and so makes the simple decision not to return to him one evening. She turns instead to a young man almost as aimless and adrift as she, but who perhaps loves her all the same
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A vivid portrait of life in Hugo Chavez's Venezuela, focusing on the secrets, lies and traumas of the inhabitants of a Caracas apartment block on the eve of his death • Venezuela 2012: The President's illness casts a shadow over the lives of his citizens - he divides opinion, but life without him is almost unimaginable • Miguel Sanabria is a retired oncologist, ambivalent towards the President but caught between a virulently anti-Chavez wife and a equally vehement pro-Chavez brother. He is asked by his nephew to hide a mobile phone carrying secret footage that could shed new light on the President's condition • His neighbour Fredy has found a fresh angle for a new book about Chavez, but to take advantage he must agree to a "green-card" marriage and leave his girlfriend and their son for two months, even as their landlady plots to repossess their home
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