Firecrackers. Female Photographers Now Rogers Fiona, Houghton Max Thames&Hudson

Now widely acclaimed as one of the world's greatest photographers, Saul Leiter (1923-2013) remained relatively unsung until he was rediscovered by curators and critics in his early 80s, and his work has been drastically re-evaluated over the last two decades. Leiter's images evoked the flow and rhythm of life on the mid-century streets of New York in luminous colour at a time when his contemporaries were shooting in black and white. His complex and impressionistic photographs are as much about evoking an atmosphere as nailing the decisive moment • On his death in 2013, he left behind a collection of more than 40,000 colour slides, only a fraction of which had seen the light of day. This book showcases seventy-six newly unearthed images from that extraordinary photographic treasure trove, published here for the first time

This full-career retrospective on the work of photographer Vivian Maier brings together a selection of key works from throughout her life and career • When Vivian Maier's archive was discovered in Chicago in 2007, the photography community gained an immense and singular talent. Little- known during her lifetime, Maier is now recognized as one of the great American photographers of the twentieth century. Born in New York in 1926 to an Austro-Hungarian father and French mother, she lived in France several times in her youth and worked as a governess in New York and Chicago for much of her adult life. It was during her years as a governess that she took many of the photographs that have made her posthumously famous. Now the subject of films and books, Maier lived in relative obscurity until her death in 2009

As feminism gained momentum in 1970s America, three photographers Abigail Heyman, Eve Arnold and Susan Meiselas published massively influential photobooks informed by the movement. The first, Heyman's Growing Up Female (1974), is a kind of feminist diary: the photographer casts a lucid eye at her own life and questions the imprisonment of women in stereotype roles. The second, Eve Arnold's "The Unretouched Woman" (1976), shows unknown women and celebrities in spontaneous everyday moments. The photos were deliberately not retouched or staged and offer a nuanced vision of women far from the glamor of glossy magazines. The third, Susan Meiselas Carnival Strippers (also 1976), is the fruit of three years of investigation into fairground striptease sideshows in the Northeastern United States

William Helburn, a quintessential figure of the ‘Mad Men’ era, was one of the most prolific and dynamic photographers of the New York school that dominated fashion and advertising from the late 1940s to the 1960s. And then he seemed to disappear. This handsome volume brings to light his magnificent career and restores him to the pantheon of postwar photographers • William Helburn was the go-to photographer for many of the top advertising agencies in New York in the 1950s and 1960s. Doyle Dane Bernbach’s Helmut Krone considered Helburn a hero for fighting ‘the limits and style of the studio and the slowness of Kodachrome’, achieving ‘a revolution in visual methods’. As Helburnhimself said, ‘I always tried to do something different. Shock value was a term that was used

While certain photographs have become world-famous images indelibly printed on the cultural consciousness, the stories on the other side of the lens have been all too often distorted, obfuscated or overlooked, the social and political environments misunderstood or forgotten. By evoking the lives and backgrounds of nearly forty great photographers, Juliet Hacking also brings new light to their work, forging a greater understanding of each photographic pioneer. In addition, many rarely seen portraits and self-portraits are brought to light. Seen together, these entries form a holistic examination that, while drawing attention to the contributions of each individual, adroitly guides the reader through the major innovations, movements and developments in the history of photography with authority, dexterity and zeal

Monocle's latest book is a celebration of the Nordic region, with some surprises, quirks and - maybe - a sauna or two along the way. Monocle's journalists, editors and photographers have returned time and again to all corners of northern Europe for insights, inspiration and ideas for living better • This book isn't about hammering the overhyped hygge trend or fussing over foamy food. Much the opposite - it's about a shared but distinct set of values that have helped varied nations excel in quiet diplomacy, thoughtful design and reasoned debate. Monocle looks beyond the cliches and uncovers the folks, firms and stories that help the region rank highly for everything in everything from art and architecture to eating well • Far from lumping these different nations together, the Monocle team will highlight the people, places and products that show the Nordics in all their nuances: lessons we can all learn from makers in Norway's high north or retailers reaching higher in Reykjavik; the firms building bridges in Denmark or selling Swedish soft power abroad

Since the release of his first monograph, Vincent Van Duysen has consolidated his reputation for buildings of exceptional spatial mastery and highly refined detailing, and built a growing international following. This beautiful companion volume presents thirty of the Belgian architect’s most recent works produced over the past decade, much of which has been exquisitely captured by renowned photographers Helene Binet and Francois Halard. The buildings featured from this latest period include an array of elegant residences in Europe, New York, Paris and The Hamptons, as well as larger-scale commercial and public projects. Product and furniture designs, microcosms of the architect’s rigorous attention to detail, are also featured, including yacht interiors and objets decoratifs

Created in collaboration with Dronestegram, the world-leading drone photography website, and Ayperi Karabuda Ecer, a highly renowned photography editor, Dronescapes is the first book to bring together the very best photographs taken by quadcopters around the globe. It grants us the thrilling opportunity to see our planet from entirely new vantage points, whether this is a bird's-eye view of Christ the Redeemer in Rio de Janeiro, a photograph taken inches away from an eagle in mid-flight, or a vertiginous shot taken above Mexico's Tamul Waterfalls. There are extended commentaries on how individual images were created, profiles on notable photographers and a separate user guide containing key advice on how to use your drone. An introduction also discusses how the arrival of drone photography signals a major shift in the history of aerial photography

Rembrandt is among the few outstanding artists of universal appeal, his striking self-portraits lauded the world over – yet he remains an elusive, enigmatic figure • Here, the distinguished art historian Christopher White carefully considers the known facts to build a sensitive and thorough account of the artist’s life and work. He describes the radiant happiness of Rembrandt’s marriage, tragically cut short by the death of his wife, and discusses the catastrophe of his bankruptcy. The psychological factors that may have awakened Rembrandt’s sudden interest in landscape are also explored, as is the artist’s final decade, when he retreated into the private world of his imagination. This comprehensive introduction has now been revised and updated to reflect recent scholarship, and the bibliography has been expanded; Rembrandt’s artworks are now faithfully reproduced in colour throughout

Neutral hues, an ill-fitting man's suit and wiggling locks of cut hair supplant Frida Kahlo's (1907-54) usual lively color palette, indigenous Mexican dress and long plaits in Self-Portrait with Cropped Hair (1940). Nevertheless, the painting remains unmistakably Kahlo's. In the wake of a divorce from artist Diego Rivera, Kahlo turns to her favorite genre, self-portraiture, to express her deepest emotional and psychological urges. Inscribed with the lyrics of a popular song that translate as "Look, if I loved you it was for your hair. Now that you're without it I no longer love you", the work oscillates between evocations of a popular culture shared by many and unflinching forays into the private sphere. Curator Jodi Roberts essay, too, moves between the public and the private as it situates Kahlo's painting in the context of the Mexican Revolution's legacy, the Surrealist tradition and the artist's own life to explore the ways in which Kahlo constructed and reconstructed her own identity

Known for his multi-storey murals gracing buildings all over the world, Melbourne-based artist Rone uses his work to explore the friction and connection between beauty and decay, youth and ruin • Rone was a seminal figure in the explosive Melbourne street art scene of the early 2000s. With his beginnings in street art, stencil and screen printing, Rone is now best known for his haunting images of women's faces, rendered in arresting detail on silos and store fronts, museums and apartment blocks. His immersive installations have continued his investigation into divergent themes of beauty and ruin, materiality and loss, through the transformation of condemned, derelict or forgotten spaces - with each artwork painstakingly produced, only to be destroyed

What makes Scottish art Scottish? In this now classic text, Murdo Macdonald explores the distinctive characteristics of Scottish art over the centuries - such as the heritage of Celtic design with it's emphasis on intricate pattern; the importance of the landscape, particularly the Highlands and the sea; and a close connection with France. It ranges from the earliest art to survive - Neolithic standing stones - through the art of the Picts and Gaels, and the tumultuous centuries of the Reformation, to the great flowering of Scottish art in the Enlightenment. The final chapters focus closely on art produced since 1900, with succinct and revealing analyses of the Scottish Colourists and the major figures of contemporary art in all media. Masterpieces from the Book of Kells to paintings by Charles Rennie Mackintosh and Joan Eardley are illustrated in full colour, and such key works are set in a clearly explained historical context throughout