Faber and Faber In Darkling Wood Кэрролл Эмма

We weren’t supposed to be going to the pictures that night. We weren’t even meant to be outside, not in a blackout, and definitely not when German bombs had been falling on London all month like pennies from a jar • February, 1941. After months of bombing raids in London, twelve-year-old Olive Bradshaw and her little brother Cliff are evacuated to the Devon coast. The only person with two spare beds is Mr Ephraim, the local lighthouse keeper. But he’s not used to company and he certainly doesn’t want any evacuees • Desperate to be helpful, Olive becomes his post-girl, carrying secret messages (as she likes to think of the letters) to the villagers. But Olive has a secret of her own. Her older sister Sukie went missing in an air raid, and she’s desperate to discover what happened to her

A body washed up on the beach… • Evacuation to an old house with forbidden rooms and dark secrets… • An animal rescue service… • Set in World War Two, Emma Carroll explores the resilience, resourcefulness and inventiveness of children when their lives fall to pieces. Introducing some compelling new characters, as well as revisiting some familiar settings, these adventures are sure to win over new readers, as well as fans of old favourites such as Letters from the Lighthouse and Frost Hollow Hall

In 1959, Liverpool Football Club were in the Second Division. Liverpool Football Club had never won the FA Cup. Fifteen seasons later, Liverpool Football Club had won three League titles, two FA Cups and the UEFA Cup. Liverpool Football Club had become the most consistently successful team in England. And the most passionately supported club. Their manager was revered as a god.Destined for immortality. Their manager was Bill Shankly. His job was his life. His life was football. His football a form of socialism. Bill Shankly inspired people. Bill Shankly transformed people. The players and the supporters.His legacy would reveberate through the ages • In 1974, Liverpool Football Club and Bill Shankly stood on the verge of even greater success. In England and in Europe

Casting light on the most serious of problems and at the same time saying not one serious sentence; being fascinated by the reality of the contemporary world and at the same time completely avoiding realism-that's The Festival of Insignificance. Readers who know Kundera's earlier books know that the wish to incorporate an element of the "unserious" in a novel is not at all unexpected of him. In Immortality, Goethe and Hemingway stroll through several chapters together talking and laughing. And in Slowness, Vera, the author's wife, says to her husband: "you've often told me you meant to write a book one day that would have not a single serious word in it... I warn you: watch out. Your enemies are lying in wait." • Now, far from watching out, Kundera is finally and fully realizing his old aesthetic dream in this novel that we could easily view as a summation of his whole work

‘That is how it works in the City. Every time you think you know the answer to a question, you discover that the question makes no sense . . .’ • This is the story of Anna Blume and her journey to find her lost brother, William, in the unnamed City. Like the City itself, however, it is a journey that is doomed, and so all that is left is Anna’s unwritten account of what happened • Paul Auster takes us to an unspecified and devastated world in which the self disappears amidst the horrors that surround us. But this is not just an imaginary, futuristic world: like the settings of Kafka stories, it is one that echoes our own, and in doing so addresses some of our darker legacies • In the Country of Last Things is a tense, psychological take on the dystopian novel

A ghetto nerd living with his Dominican family in New Jersey, Oscar’s sweet but disastrously overweight. He dreams of becoming the next J. R. R. Tolkien and he keeps falling hopelessly in love. With dazzling energy and insight Diaz immerses us in the tumultuous lives of Oscar; his runaway sister Lola; their beautiful mother Belicia; and in the family’s uproarious journey from the Dominican Republic to the US and back

Grace Sachs, a happily married therapist with a young son, thinks she knows everything about women, men and marriage. She is about to publish a book based on her pet theory: women don’t value their intuition about men, leading to serious trouble later on • But how well does Grace know her own husband? She is about to find out, and in the place of what she thought she knew, there will be a violent death, a missing husband, and a chain of terrible revelations. Left behind in the wake of a very public disaster, and horrified by the ways in which she has failed to heed her own advice, Grace must dismantle one life and create another for herself and her child • The Undoing was originally published under the title You Should Have Known

Walk the Blue Fields by Claire Keegan is the long awaited second collection from the Booker-shortlisted author of Small Things Like These • A long-haired woman moves into the priest’s house and sets fire to his furniture. That Christmas, the electricity goes out. A forester mortgages his land and goes off to a seaside town looking for a wife. He finds a woman eating alone in the hotel. A farmer wakes half-naked and realises the money is almost gone. And in the title story, a priest waits on the altar for a bride and battles, all that wedding day, with his memories of a love affair. In her long-awaited second collection, Claire Keegan observes an Ireland wrestling with its past

Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles • This heart is sore and sad. Crossed in love? • The manuscript of ‘Giacomo Joyce’, written in James Joyce’s best handwriting and folded between the covers of a school notebook, was discovered in Trieste. Most likely written in 1914, some of it served as a rehearsal for passages in Ulysses. Had Joyce meant to pillage it or publish it? Either way, this fragmented evocation of unrequited desire is, in the words of Joyce’s biographer Richard Ellmann, a work of ‘small, fragile, enduring perfection’ • With a new introduction by Colm Toibin • Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work

Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles • Between his second and third tours of duty, a soldier returns home • To his former home, that is, using an old key while the new tenant is at work. Is he re-entering his old life or borrowing someone else’s? Where is the line he will not cross? Each day is the same: he exists in a state of suspension, barely knowing how he passes the time – until someone else intrudes on the intruder • Adrian Tomine, graphic master of alienation and regret, expertly expands the form to express the unsaid and the unbearable in this unforgettable evocation of a post-traumatic life • Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work

Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles • ‘My only concern’, John McGahern once said, ‘is that I get the sentence right and describe my world clearly and deeply.’ • ‘The Country Funeral’ witnesses three brothers, John, Philly and Fonsie Ryan, as they travel west from Dublin to Gloria Bog – the heart of the territory where so many of McGahern’s stories take place – to attend the funeral of their uncle. Depicting the customs and rituals of the day, McGahern exquisitely traces how the brothers react to the area in unexpected and tender ways, and face their own feelings about the transience of life • Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work

Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles • A chance encounter leads a man to spend the afternoon with an older woman, now a widow, who escaped him fifteen years earlier. Neither of them doubts that the day will end in disgust, but for one intimate moment each finds a way to overcome mortality • Written in 1969, before Milan Kundera was known to English-speaking readers, this story renders male and female characters painful equals, and prompted Philip Roth to admire its ‘detached Chekhovian tenderness’ • Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work