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Europa Editions Clash of Civilizations Over an Elevator in Piazza Vittorio Lakhous Amara

Europa Editions Clash of Civilizations Over an Elevator in Piazza Vittorio Lakhous Amara

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A small culturally mixed community living an apartment building in the center of Rome is thrown into disarray when one of the neighbors is murdered. An investigation ensues and as each of the victim’s neighbors is questioned, the reader is offered an all-access pass into the most colorful neighborhood in contemporary Rome. Each character takes his or her turn center-stage, “giving evidence,” recounting his or her story—the dramas of emigration, the daily equivocations of immigration, the fears and misunderstandings of a life spent on society’s margins, abused by mainstream culture’s fears and indifference, preconceptions and insensitivity. What emerges is a touching story that is common to us all, whether we live in Rome or in Los Angeles • This novel is animated by a style that is as colorful as the neighborhood it describes and is characterized by seemingly effortless equipoise that borrows from the cinematic tradition of the commedia all'italiana, as exemplified by directors such as Federico Fellini and Mario Monicelli подробнее
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An elderly academic is accosted by a homeless woman on his way home from the cinema. She tells him her name is Laura. So begins a nightmarish journey for Gerald, who is forced to confront the mystery of his own past and to ask himself if he has lived a good life – or even a decent one • In the course of this very funny, sometimes disturbing and often moving novel, suppressed memories return to haunt him, including the question of the role he played in a family tragedy. Above all he has to assess the harm he may have done in a long-forgotten love affair • Those close to him suddenly appear unfathomable as he begins to question if he truly knows those closest to him and even himself • The problem with exploring the past, Gerald begins to see, is that there are an infinite number of ways to travel through it
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From her home in Paris, Lina recalls the story of three women whose lives unfold in the conservative city of Barranquilla in Colombia. Amongst parties at the Country Club and strolls along the promenade in Puerto Colombia, unfurls a story of sensuality supressed by violence; a narrative of oppression in which Dora, Catalina and Beatriz are victims of a patriarchal system living in and among the fragile threads of the fabric of society • In Lina’s obsessive recounting of the past, this masterful novel transforms anecdotes of a life into an absolute view of the world, a profound panorama of Colombian society towards the end of the 50s • Written from personal memories and historical research, this is a novel that is both precise and poetic, a novel that immortalises—from the distant perspective of its narrator—the events that took place in a small seaside town
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A sweeping story about obsession, mysticism, art, and earthly desire • At the centre of this story, is the Cathedral. Its design and construction in the 12th and 13th centuries in the fictional town of Hagenburg unites a vast array of unforgettable characters whose fortunes are inseparable from the shifting political factions and economic interests vying for supremacy. From the bishop to his treasurer to local merchants and lowly stonecutters, everyone, even the town’s Jewish denizens, is implicated and affected by the slow rise of Hagenburg’s Cathedral, which in no way enforces morality or charity • Around this narrative core, Ben Hopkins has constructed his own monumental edifice, a choral novel that is rich with the vicissitudes of mercantilism, politics, religion, and human enterprise
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In Igboland, the lives of two Nigerian women change forever… • In the city of Enugu in the 1970s, young Nwabulu dreams of becoming a typist as she endures the endless chores she is tasked with by her employers. She’s been a housemaid since the age of ten, but she is tall and beautiful and in love with a rich man’s son • Educated and privileged, Julie is a modern woman. Living on her own, she is happy to collect the gold jewellery love-struck Eugene brings her, but has no intention of becoming his second wife • When, years later, dramatic events straight out of a movie force Nwabulu and Julie into a dank room, the two women relate the stories of their lives as they await their fate • Pulsing with vitality and intense human drama, Cheluchi Onyemelukwe-Onuobia’s debut is set against four decades of vibrant Nigerian history, and celebrates the resilience of women as they navigate and transform what remains a man’s world
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The Life of the Mind opens with Dorothy sitting on a library toilet, checking her phone and examining the “thick, curdled knots of string” coming out of her body. No one but her boyfriend knows that she’s had a miscarriage, not even her therapists–Dorothy has two of them • An adjunct professor of English in New York City with no hope of finding a permanent position, Dorothy’s stuck, unable to envision the future or cut ties with the past. “What did you call it,” she asks herself, “when a life stopped developing, but it didn’t end?” • Christine Smallwood’s debut is a campus novel like no other. Piercingly intelligent and darkly hilarious, it moves from a classroom to an underwater puppet show, from a conference in Las Vegas to a karaoke party. It is a discomforting glimpse into the head of a brilliant woman on the edge, it is a novel about endings: of youth, of professional aspiration, of possibility, of the illusion that our minds can ever free us from the tyranny of our bodies
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