Doubleday Woodston. The Biography of An English Farm Lewis-Stempel John

What really goes on in the long grass? • Meadowland gives an unique and intimate account of an English meadow’s life from January to December, together with its biography. In exquisite prose, John Lewis-Stempel records the passage of the seasons from cowslips in spring to the hay-cutting of summer and grazing in autumn, and includes the biographies of the animals that inhabit the grass and the soil beneath: the badger clan, the fox family, the rabbit warren,the skylark brood and the curlew pair, among others. Their births, lives, and deaths are stories that thread through the book from first page to last

The Charente: roofs of red terracotta tiles, bleached-white walls, windows shuttered against the blaring sun. The baker does his rounds in his battered little white van with a hundred warm baguettes in the back, while a cat picks its way past a Romanesque church, the sound of bells skipping across miles of rolling, glorious countryside • For many years a farmer in England, John Lewis-Stempel yearned once again to live in a landscape where turtle doves purr and nightingales sing, as they did almost everywhere in his childhood. He wanted to be self-sufficient, to make his own wine and learn the secrets of truffle farming. And so, buying an old honey-coloured limestone house with bright blue shutters, the Lewis-Stempels began their new life as peasant farmers

‘To see a hare sit still as stone, to watch a hare boxing on a frosty March morning, to witness a hare bolt . . . these are great things. Every field should have a hare.’ • The hare, a night creature and country-dweller, is a rare sight for most people. We know them only from legends and stories. They are shape-shifters, witches’ familiars and symbols of fertility. They are arrogant, as in Aesop’s The Hare and the Tortoise, and absurd, as in Lewis Carroll’s Mad March Hare. In the absence of observed facts, speculation and fantasy have flourished. But real hares? What are they like? • In The Private Life of the Hare, John Lewis-Stempel explores myths, history and the reality of the hare. And in vivid, elegant prose he celebrates how, in an age when television cameras have revealed so much in our landscape, the hare remains as elusive and magical as ever

"How to describe the ecstatic song of larks? How the writers and poets have tried..." • Skylarks are the heralds of our countryside. Their music is the quintessential sound of spring. The spirit of English pastoralism, they inspire poets, composers and farmers alike. In the trenches of World War I they were a reminder of the chattering meadows of home • Perhaps you were up with the lark, or as happy as one. History has seen us poeticise and musicise the bird, but also capture and eat them. We watch as they climb the sky, delight in their joyful singing, and yet we harm them too • The Soaring life of the Lark explores the music and poetry; the breath-taking heights and struggle to survive of one of Britain's most iconic songbirds

I look at the Ryeland ewes, white and fat with fecundity. Replete with contentment • Contentment is a transmissible condition. I catch it off the sheep • The old time shepherds used to sleep with their sheep, out in the fields. I do it sometimes too, on the dry nights, the sheep lying down around me. I'm not sure on those nights who is protecting whom • Everybody thinks they know what sheep are like: they're stupid, noisy, cowardly ('lambs to the slaughter'), and they're 'sheepwrecking' the environment • Or maybe not. Contrary to popular prejudice, sheep are among the smartest animals in the farmyard, fiercely loyal, forming long and lasting friendships. Sheep, farmed properly, are boons to biodiversity. They also happen to taste good and their fleeces warm us through the winter - indeed, John Lewis-Stempel's family supplied the wool for Queen Elizabeth's 'hose'

'Dusk is filling the valley. It is the time of the gloaming, the owl-light • Out in the wood, the resident tawny has started calling, Hoo-hoo-hoo-h-o-o-o.' • There is something about owls. They feature in every major culture from the Stone Age onwards. They are creatures of the night, and thus of magic. They are the birds of ill-tidings, the avian messengers from the Other Side • But owls - with the sapient flatness of their faces, their big, round eyes, their paternal expressions - are also reassuringly familiar. We see them as wise, like Athena's owl, and loyal, like Harry Potter's Hedwig. Human-like, in other words • No other species has so captivated us

'The oak is the wooden tie between heaven and earth. It is the lynch pin of the British landscape.' • The oak is our most beloved and most common tree. It has roots that stretch back to all the old European cultures but Britain has more ancient oaks than all the other European countries put together. More than half the ancient oaks in the world are in Britain • Many of our ancestors - the Angles, the Saxons, the Norse - came to the British Isles in longships made of oak. For centuries the oak touched every part of a Briton's life - from cradle to coffin It was oak that made the 'wooden walls' of Nelson's navy, and the navy that allowed Britain to rule the world. Even in the digital Apple age, the real oak has resonance - the word speaks of fortitude, antiquity, pastoralism

"Я обожаю лис за их роскошную красоту. Я не выношу лис за охоту на моих цыплят • Любовь и ненависть к лисам - типичная британская черта." • Лиса - высший хищник, красивейший и умнейший убийца. Все мы сталкивались с их дикой животной натурой, замечали среди ночи, как они роются в мусорных баках, и вздрагивали от холодных мурашек, услышав их пронзительные крики. И все же руки так и тянулись погладить детенышей, кувыркавшихся возле лисьих нор, а глаза любовались лисицей, бродящей по кукурузному полю • Что-то есть в лисах. Нечто, пленяющее нас так сильно, как ни один из других видов • Рассказывая про долгие и иногда сложные взаимоотношения, "Дикая жизнь лис" - это яркая и лиричная история любви - и временами ненависти - к этим великолепным созданиям

A reissue of the beautifully illustrated and authoritative biography of Frida Kahlo, publishing in time for a major London exhibition Frida is the story of one of the twentieth century's most extraordinary women, the painter Frida Kahlo. Born near Mexico City, she grew up during the turbulent days of the Mexican Revolution and, at eighteen, was the victim of an accident that left her crippled and unable to bear children. To salvage what she could from her unhappy situation, Kahlo had to learn to keep still - so she began to paint. Kahlo's unique talent was to make her one of the century's most enduring artists. But her remarkable paintings were only one element of a rich and dramatic life. Frida is also the story of her tempestuous marriage to the muralist Diego Rivera, her love affairs with numerous, diverse men such as Isamu Noguchi and Leon Trotsky, her involvement with the Communist Party, her absorption in Mexican folklore and culture, and of the inspiration behind her unforgettable art

The Wild Life is John Lewis-Stempel's account of twelve months eating only food shot, caught or foraged from the fields, hedges, and brooks of his forty-acre farm. Nothing from a shop and nothing raised from agriculture. Could it even be done? • We witness the season-by-season drama as the author survives on Nature's larder, trains Edith, a reluctant gundog, and conjures new recipes. And, above all, we see him get closer to Nature. Because, after all, you're never closer to Nature than when you're trying to kill it or pick it • Lyrical, observant and mordantly funny, The Wild Life is an extraordinary celebration of our natural heritage, and a testament to the importance of getting back to one's roots - spiritually and practically

First published anonymously in 1912, this resolutely unsentimental novel gave many white readers their first glimpse of the double standards - and double consciousness - experienced by Black people in modern America. Republished in 1927, at the height of the Harlem Renaissance, with an introduction by Carl Van Vechten, The Autobiography of an Ex-Colored Man became a pioneering document of African-American culture and an eloquent model for later novelists ranging from Zora Neale Hurston to Richard Wright and Ralph Ellison • Narrated by a man whose light skin enables him to 'pass' for white, the novel describes a journey through the strata of Black society at the turn of the century - from a cigar factory in Jacksonville to an elite gambling club in New York, from genteel aristocrats to the musicians who hammered out the rhythms of Ragtime

One night in St Petersburg, two men meet, both adrift in the brash new Russia: Shutov, a writer visiting after years of exile in Paris, and Volsky, an elderly survivor of the Siege of Leningrad and Stalin's purges. His life story - one of extreme suffering, courage and an extraordinary love - he considers unremarkable. To Shutov it is a revelation, the tale of an unsung hero that puts everything into perspective and suggests where true happiness lies