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DOM publishers 30:70. Architecture as a Balancing Act Tchoban Sergei

DOM publishers 30:70. Architecture as a Balancing Act Tchoban Sergei

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Builders have never been so prolific as they are today. And never have there been so many technical and design-related options available to architects. Yet contemporary architecture often creates a sense of unease. In their book, Sergei Tchoban and Wladimir Sedow show how the balance between prominent buildings and the buildings around them in the background has been lost in the modern era. Every building strives to assert itself over others - to drown out its peers. At the same time, contemporary architects are capable of developing 'a sense of harmony full of contrasts'. They have a wealth of options at their disposal to this end. After prowling through 2,500 years of architectural history, the authors arrive at what makes modern buildings so particular подробнее
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Professor Pekka Pitkanen (1927-2018) was one of the most significant Finnish architects of the post-war period. He is known as a master of concrete buildings and as a staunch supporter of modernist approach to architecture. He won numerous commissions by architectural competitions. The Chapel of the Holy Cross (1963-1967) in Turku is usually considered as Pitkanen's main work. From 1950's to 1980's Pitkanen built in Turku numerous residential and commercial buildings, often in co-operation with the building company Urakoitsijat Oy. Together with Ola Laiho and Ilpo Raunio, Pitkanen planned the extension of the Finnish Parliament (1972-1978). Late in his career Pitkanen focused on public buildings, the finish of the career was the Turku court building, completed in 1997
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In the times when the Ukrainian art sphere was regulated by the Soviet institutions, local monumental and decorative arts existed at the frontier of the Party's propaganda and the artistic thirst to experiments. Nowadays, Ukrainian mosaics are wrested out of the architectural context of the country in both literal and metaphorical ways. The artworks are liquidated from the buildings they were specifically created for and indiscriminately despised as ideological pieces of no value. Furthermore, in legal terms mosaics are not defined as objects of art that makes them unguarded in the face of the decommunization process. Initially incepted as a guide, this book is an equally beneficial companion for the journey through space (in the context of the geographical area of modern Ukraine) and hitchhiking through time (in terms of Ukrainian cultural history)
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