Danzig Danzig 1

Soviets features unpublished drawings from the archive of Danzig Baldaev. Made in secret, they satirize the Communist Party system and expose the absurdities of Soviet life. Baldaev touches on a wide range of subjects, from drinking (Alcoholics and Shirkers) to the Afghan war (The Shady Enterprise), via dissent (Censorship, Paranoia and Suspicion) and religion (Atheism as an Ideology). He reveals the cracks in the crumbling socialist structure, describing the realities of living in a country whose leaders are in pursuit of an ideal that will never arrive. The drawings date from the 1950s to the period immediately before the fall of the Soviet Union in 1991, with caricatures exposing communism's winners and losers: the stagnation of the system, the corruption of its politicians and the effect of this on the ordinary soviet citizen

A powerful story set in war-torn Danzig about a teenager's rise from clown to hero by Nobel Prize-winner Gunter Grass • To compensate for his unusually large Adam's apple - source of both discomfort and distress - fourteen year old Joachim Mahlke turns himself into athlete and ace diver. Soon he is known to his peers and his nation as 'The Great Mahlke'. But to his enemies, he remains a target. He is different and doomed in a country scarred by the war • Cat and Mouse was first published in 1961, two years after Gunter Grass' controversial and applauded masterpiece, The Tin Drum. Once again Grass turns his attention on Danzig. With a subtle blend of humour and power, Cat and Mouse ostensibly relates the rise of Mahlke from clown to hero. But Mahlke's outlandish antics hide the darkness at the heart of a nation torn by Nazi violence, the war and its aftermath

The final part of the magisterial Danzig Trilogy by Nobel Prize-winning Gunter Grass • In an explosive fusion of myth and reality, magic and romance, Dog Years charts forty years of German history, starting with 1917, to expose the madness of a society that bred and nurtured the horrors of the Third Reich before anaesthetising itself with the chaos of disintegration