Calder Publications Last Year at Marienbad. The Film Script Robbe-Grillet Alan

Originally written to entertain, move or chill, the eight short stories in this collection accompanied by parallel English translations now also help students gain deeper insights into French literature and life • Arranged in approximate order of difficulty, the range of stories is wide, from the stylized wit of Raymond Queneau to the beautifully written ambiguities of Philippe Sollers, from Pierre Gascar’s exploration of childhood as a background to a tale of infidelity to Henri Thomas’s gentle, ironic look at war. All make wonderful reads in either language

The premature death of Sydney Goodsir Smith at the age of fifty-nine, while this volume of his Collected Poems was in production, deprived the world of one of the major personalities in twentieth-century British literature • The poems included in this volume, mostly written in Scots dialect – from ‘Skail Wind’, first published in 1941, to the moving poems of his maturity and the gentle, philosophical poems of his later years – show us the journey of a man who understood the world only too well

The Wallace is a historical play dramatizing the life of one of Scotland’s greatest heroes, William Wallace, whose revolt against England in the early fourteenth century led to his capture and execution, but, also through the continuing and successful rebellion of his successor, Robert the Bruce, to eventual Scottish independence • The author is revealed not only as a major dramatic poet, but as a chronicler of history. The work carries an excitement and emotional charge that can infect an audience with the author’s own concern for freedom and justice

Dreamerika!, Alan Burns’s fourth novel, first published in 1972, provides a satirical look at the Kennedy political dynasty, serving up an idiosyncratic hotch-potch of history that gives an old tragedy new meaning. For this book, Burns collected newspaper clippings, headlines, cartoons and photographs, cut them up, filed them and then interspersed them throughout his text to create a collage of contrasting effects • Presented in a fragmented form that reflects society’s disintegration, Dreamerika! fuses fact and dream, resulting in a surreal biography, an alternate history which lays bare the corruption and excesses of capitalism just as the heady idealism of the 1960s has begun to fade

Babel, Alan Burns’s fourth critically acclaimed novel, contains all the hallmarks of the aleatoric style he helped to define – shot through with seemingly random newspaper headlines, poems, snatches of conversation and anecdote, which both heighten and undermine meaning, and characterized by extreme contrasts of mood and style and startling surrealist juxtapositions of images and ideas • By turns comic and tragic, tender and brutal, religious and blasphemous, the narrative rockets from London to the United States to Vietnam to interstellar space, familiar events are constantly fragmented and reset into new patterns, and ultimately Babel becomes a cautionary tale about the tragedy arising from attempting to build Utopia

A series of sketches and observations of daily life – a crowd gathering in front of shop windows, an old man talking to his grandchild about death, a professor lecturing about Proust and Rimbaud, a woman concealing her disdain at a family gathering – Nathalie Sarraute’s first work of fiction places human existence under the microscope, revealing the dynamics at play between our thoughts and actions beneath the veneer of social convention • First published in 1939 to little fanfare, Tropisms was ahead of its time and finally received the recognition it deserved when it was republished in 1957 at the height of the nouveau roman movement, of which it is now considered a precursor

Europe after the Rain takes its title from Max Ernst’s surrealist work, which depicts a vision of rampant destruction – a theme which Burns here takes to its conclusion, showing man not merely trying to come to terms with desolation, but combating human cruelty with that resilience of spirit without which survival would be impossible. The Europe through which the unnamed narrator travels is a devastated world, twisted and misshapen, both geographically and morally, and he is forced to witness terrible sights, to which he brings an interested apathy, without ever succumbing to despair or cynicism • Upon the novel’s first publication, Burns was heralded as presenting a picture of his age and capturing the ‘collective unconscious’ of the twentieth century – in a language that can have few rivals for economy, beauty and rhythm

Set in a big Dublin hotel of the mid-nineteenth century, The Singular Life of Albert Nobbs is a total theatre creation. In it, we discover that Albert, the perfect waiter – who never drinks, smokes or flirts with the chambermaids – is in fact a woman who once dressed as a man to avoid poverty and is now trapped in the role • Based on a short story by George Moore, which was recently adapted into a major Hollywood film starring Glenn Close, Benmussa’s story releases a string of disturbing questions about the nature of women and society, and is one of the most powerful and groundbreaking plays of the 1970s

Like all the greatest writers, Samuel Beckett was primarily interested in discovering the meaning and purpose of life and of the world into which we are born. Knowledgeable about the religion his family and education instilled in him, which as an adult he could neither accept nor reject, he used it extensively in his novels, plays and poetry. Beckett’s works also explored philosophy and the imaginative world of Dante and Milton, as well as the theories of Darwin and scientific speculation, in order to create a literature that investigates human destiny more deeply and originally than any other writer had done before • In this, his second book about the essence and depth of Samuel Beckett’s thinking and literary art, John Calder analyses the dualism of Beckett’s theological writing, his debt to the Gnostics, Manichaeism and Geulincx in particular, the presence of ghosts in his work, and why his late writing has received so little attention compared to the early and middle periods

Increasingly Samuel Beckett’s writing is seen as the culmination of the great literature of the twentieth century – succeeding the work of Proust, Joyce and Kafka. Beckett is a writer whose relevance to his time and use of poetic imagery can be compared to Shakespeare’s in the late Renaissance. John Calder has examined the work of Beckett principally for what it has to say about our time in terms of philosophy, theology and ethics, and he points to aspects of his subject’s thinking that others have ignored or preferred not to see. Samuel Beckett’s acute mind pulled apart with courage and much humour the basic assumptions and beliefs by which most people live. His satire can be biting and his wit devastating. He found no escape from human tragedy in the comforts we build to shield ourselves from reality – even in art, which for most intellectuals has replaced religion

On a train from Paris to Rome on his way to surprise his lover, the businessman Leon Delmont begins to mull over his past and question the decisions he has made about his future. These musings – together with his impressions of the unfolding scenery, conjectures about his fellow passengers and some recurring leitmotifs – form the basis of a riveting narrative that provides a psychological case study of an everyman and subtly illustrates the onset of the protagonist’s doubts and fears • Published in 1957 and awarded the prestigious Prix Renaudot, Michel Butor’s groundbreaking third novel remains the most popular and widely read work of the nouveau roman genre. Famously written in the second person in order to immerse the reader more fully into the psyche of the main character, Changing Track pulls off the rare feat of being at once experimental and accessible, disquieting and engrossing

Above a disused bar, in a dilapidated Parisian hotel that houses an assortment of indigent, marginalized lost souls, one of the inhabitants, a mysterious, reclusive holy man, is the subject of much speculation from some of his fellow occupants and respectful reverence from others. As the tale unfolds, the dynamics of this precarious microcosm are laid bare, in a powerful portrayal of those society has forgotten • Written when the author of Cain’s Book was at the height of his creative powers and enjoying an increasing reputation in avant-garde literary circles, ‘The Holy Man’ is here presented with ‘A Being of Distances’, ‘Peter Pierce’ and ‘A Meeting’, stories which similarly tackle themes of loneliness and disenfranchisement