Alma Books Selected Journalism Stendhal

Blake occupies a very special place in the pantheon of English Romanticism: just as innovative and brilliant as a painter and draughtsman as in the field of poetry, he created works that are often difficult to categorize and that, while harking back to a classical and biblical past, also look forward to the future - with authors such as T.S. Eliot, Aldous Huxley and the Beat poets among his many modern admirers • This volume includes an essential selection of Blake's poetry, from the lesser-known Poetical Sketches to his celebrated Songs of Innocence and of Experience and the "prophetic works" inspired by the French Revolution, covering over two decades of poetical activity and displaying the author's originality and independence of mind at their sparkling best

Between 1892 and 1895, Oscar Wilde’s drawing-room comedies Lady Windermere’s Fan, A Woman of No Importance, An Ideal Husband and The Importance of Being Earnest made his name as a playwright who fearlessly mocked the hypocrisy and snobbery of Victorian society and took gleeful delight in appearing to trivialize its most sacred institutions. With its premiere on Valentine’s Day 1895, The Importance of Being Earnest – a hilarious comedy of mistaken identities and coruscating language – was a phenomenal success, but its run was cut short prematurely by Wilde’s court case and subsequent incarceration, and the play was not published until 1899, after Wilde had been released from prison • Also including the powerful Salome, originally written in French and banned by the British censor, this collection displays Wilde at his provocative and witty best, and demonstrates why he was a playwright who delighted audiences and infuriated critics in equal measure

During his short and restless life, Percy Bysshe Shelley produced a great number of poems, three verse plays and numerous prose works, as well as many essays in which he propounded his philosophical views and radical political ideas. These, together with his highly unconventional itinerant life and his literary connections, make him one of the most important and intriguing figures in British Romanticism • This volume provides a generous selection of his poetry, from the sonnet ‘Ozymandias’ to famous lyrics such as ‘Ode to the West Wind’ and ‘Lines Written among the Euganean Hills’, to the longer poems of his maturity, Adonais and Epipsychidion, all thoroughly annotated and presented in chronological order

The present selection traces the development of Yeats's verse, encompassing the poet's interest in Irish folklore and national identity, his engagement with the political situation of his day and the rich symbolism that is the hallmark of his work and a reflection of his lifelong fascination with the occult. It contains some of his best-known pieces, including the elegiac 'Easter 1916', the apocalyptic 'The Second Coming' and the reflective and spiritual 'Sailing to Byzantium' • Often radical in content but always traditional in form, these poems are by turns startling and affecting, and never less than inspired. Taken together, they form an ideal introduction to the poetic career of one of Ireland's greatest literary figures • Contains notes, notes on the text and extra material

Alma Classics edition of The Canterbury Tales by Geoffrey Chaucer contains 3,000 notes and 30 pages extra material • "And specially from every shires ende • Of Engelond to Caunterbury they wende, • The hooly blisful martir for to seke, • That hem hath holpen whan that they were seeke." • Assembling at the Tabard Inn in Southwark, a group of pilgrims begin their journey to Canterbury Cathedral. To entertain themselves on the long road, their host suggests that they regale each other with stories, with the teller of the best tale set to earn a free supper • The pilgrims correspond to all sections of medieval society, from the crusading knight to the drunken cook, and their tales span a range of genres, including the comic ribaldry and deception of 'The Miller's Tale' and the story of chivalry and courtly romance told by the Franklin

The Lives of Haydn, Mozart and Metastasio – Stendhal’s first published work – owes its inspiration to the audacious pragmatism of its author. After the collapse of the Napoleonic empire, Henri Beyle was jobless, soon destined to become a refugee and in desperate need of money. His most abiding passion in life was music, so why not write about it? Unfortunately, however, he knew next to nothing about it. So, calmly and without the slightest pang of conscience, he resolved to plunder the works of other writers – in particular those of the musicologist Giuseppe Carpani, who was annoyed and said so vociferously • The result of Stendhal’s unscrupulous plagiarism is one of the most fascinating literary enigmas of all time. How is it that what started as a blatant act of piracy evolved into a work of enduring genius? Despite its unpropitious beginnings, this work represents the wrong-headedness of a genius – and the singular Louis-Alexandre-Cesar Bomet who signed the Lives was already, in everything that mattered, the man who was to be Stendhal, one of the most enduring literary figures of the nineteenth century

This major critical work by the great French novelist reveals Stendhal’s decisive role in the literary renaissance called Romanticism. Written sixteen years before The Charterhouse of Parma, it marked the beginning of his illustrious career and established him at the forefront of the French Romantic movement. The first part of Racine and Shakespeare appeared as a pamphlet in 1823, when Waterloo was still bitterly alive in the French mind. In it, Stendhal vigorously championed the spontaneous vitality of Shakespeare while condemning the rigid imitators of Corneille and Racine. The second half of Racine and Shakespeare appeared two years later in answer to a speech against Romanticism by the secretary of the Academie Francaise • It is a brilliant tour de force, an exchange of letters between an old classicist and a young Romanticist, in which Stendhal defined Romanticism not only for his age but for all time

Few writers have known Italy better than Stendhal: he was only seventeen when he first rode south across the Alps in the wake of Napoleon’s armies, and he continued to travel and to live in Italy until a few months before his death. Some of his visits lasted only a few weeks, others continued for years, and he spent the last decade of his life as French Consul in Civitavecchia – yet he was never a tourist in the ordinary sense of the word • Italy, for Stendhal, was never a mere treasure trove of ruins, museums and galleries: it was the life of the country which fascinated him, its spirit, the inner workings of its heart and mind. This picture – or rather this living dream – of Italy he created is as fresh and tantalizing today as it was almost two centuries ago

Published posthumously in 1930, Stendhal’s travel notes on his 1838 journey to southern France contain descriptions of cities such as Bordeaux, Toulouse and Marseilles, peppered with numerous personal digressions, anecdotes and cultural musings • Both an addition to the Stendhalian canon and a pioneering work of the travel-writing genre, Travels in the South of France provides an illuminating perspective on this popular region and the phenomenon of tourism in general

Rossini’s success in Italy in the early 1820s was certainly not echoed in France, where he was regarded as “an ill-bred parvenu, whose cheap popularity was an insult to a great musical tradition”. Stendhal was the first of his contemporaries to recognize the genius of this important Italian composer • Besides being a fascinating and penetrating account of the Italian composer’s most creative years, and of contemporary musical events and opinions, this work is one of the finest items in the Stendhalian literary canon. Details of Rossini’s early life are followed by penetrating discussions of the operas, libretti, personalities of the period and Rossini’s own character

When the young and sensitive Auguste Saint-Clair notices an Etruscan vase on the mantelpiece of his beloved Mathilde, he becomes gradually consumed by jealousy at the thought that it could be the gift of another man, and the situation escalates dramatically as he demands proof from her that she loves only him • A classic piece of French short fiction, ‘The Etruscan Vase’ is here presented alongside three other stories: ‘The Vision of Charles XI’, a dark tale of premonition set in the Swedish royal palace, ‘Tamango’, an account of a slave-ship revolt, and ‘The Blue Room’, a supernatural farce and one of Merimee’s final works; as well as two non-fiction pieces: ‘A Hanging’, a description of a real-life public execution, and ‘H.B.’, a tribute to Stendhal

Over the last fifteen years of his life, Tolstoy collected and published the maxims of some of the world's greatest masters of philosophy, religion and literature, adding his own contributions to various questions that preoccupied him in old age, such as faith and existence, as well as matters of everyday life • Banned in Russia under Communism, A Calendar of Wisdom was Tolstoy's last major work, and one of his most popular both during and after his lifetime. This new translation by Roger Cockrell will offer today's generation of readers the chance to discover, day by day, these edifying and carefully selected pearls of wisdom